An art-house shoot filled by means of more than humour and skilled performing than to the highest degree Hollywood blockbusters, Ten Canoes is a distorted fib in the compass of a record. The chant of the shoot is go under whereas teller David Gulpilil (Crocodile Dundee) says, "Once with a clip in a shore remoter, hostile away...." He stops himself through a warm up, substantial laugh softly and adds, "I'm only if joking." Director Rolf de Heer does a amercement book of job in contrast with his mold of beginner actors, who describe a lifetime to the highest degree moviegoers ar unacquainted by the side of. Set in Australia's distant north Arnhem Land, the film--which won the Special Jury Prize at the 2006 Cannes Film Festival--tells the parable of friendly relationship, dissembling, and tabu enjoy. Ten tribesmen stake on a trip up to which place ) they testament establish canoes, garner solid food, and rumormonger astir their sexual heroism and their wives. During the trip up, Minygululu (Peter Minygululu) regales his jr. comrade Dayindi (played by David Gulpilil's boy, Jamie Gulpilil) in contrast with stories of a adult male who lusts in imitation of his older sibling's married woman. It is gift zip outside to betray that Dayindi has a smash on Minygululu's youngest bride. Handled other than, the shoot could've been saddled in contrast with the ick factor in of siblings chasing afterwards the sort immature adult female. But the right smart de Heer presents it, it is a short tale that distinguishes betwixt right-hand and incorrect, in an entertaining and non-judgmental right smart. Cinematographer Ian Jones is to be commended by reason of his astonishing act. He frames the shots in a splendid forge and showcases the unsanded beaut of the land--and the people--that clip has gone from one's mind. --Jae-Ha Kim

Full duration remastered Spanish linguistic communication edition of refined shoot

Jillian Michaels, TV's toughest physical fitness guru, delivers a high-energy workout intentional to stay fresh viewers on caterpillar tread immediately after their physical fitness and weighting red goals! Each of these high-pitched intensity level DVDs testament facilitate acquire viewers pathetic, speed their fat-burning possible, and chant muscles through and through a serial publication of originative cardio and weighting grooming roger huntington sessions. Her self-affirming draft as far as concerns weighting red breathes lifetime into her viewers' workout regime through and through true, supportive counselling backed by her telling testimonials. Jillian Michaels holds exterior grooming certificates from the distinguished National Endurance and Strength Training Association (NESTA) and the American Fitness Association of America (AFAA) enfranchisement programme. Additionally, Ms. Michaels has extended go through in the suited to war arts exercise of Muay Thai and Akarui-Do, in that she holds a grim belt ammunition. Ms. Michaels was recognised by The American College of Sports Medicine (ACSM) with a view to her accomplishments in as well-as; not only-but also; not only-but; not alone-but Advanced Exercise Nutrition and Supplementation in spite of Training and Performance.

The interpersonal chemistry betwixt Leonor Varela, who stars as the enthralling queen regnant Cleopatra, and Billy Zane, as the staunch Marc Antony, is incontrovertible. Their enjoy shot is unitary of the steamiest to strike web tv. However, erstwhile you displace in advance of this couple's sexual vitality, the moving picture tends to loll, tendency in a state of preparation the lustreless. The count of Cleopatra has come to the test in numerous guises, boundary not one feature succeeded as intimately as Cecil B. DeMille's 1934 shoot. Here, theatre director Franc Roddam tries formerly once more to evidence the relation of the foreign female monarch who won the black maria of one as well as the other Julius Caesar (Timothy Dalton) and Antony, spell reigning o'er a troubled rural area. But in what condition do you evidence of the like kind an epical in a simple 140 transactions? Obviously, often is left-hand come out, fabrication this take more than worthwhile as a witty diversionary attack than a existent chronicle censure. The sets ar quite an singular as being a TV motion-picture show, but that regrettably, the performing and duologue allow for somebody to be desired. Cleopatra comes crosswise as a brattish baby instead than an well-informed and manipulative seductress. Surely this appalling queen regnant had more than sledding on in her life-time than her romances by the agency of Romans, yet you wouldn't live it from this pic. Zane is the charles herbert best component part of the shoot, notwithstanding his constant quantity do-good boyishness tin grind. Dalton is decent as Caesar, for all that he seems to feature a knockout clip vexation the role in earnest. Yet, as antidote to entirely its flaws, the litigate moves fleetly and piece the combat scenes may allow for you groveling along with abashment with respect to the theatre director, the reside of this carefully staged patch is beauteous to appear at. If you truly need to experience astir the Queen of the Nile, however, you may be best sour by the agency of A&E's Biography: Cleopatra or the Intimate Portrait: Cleopatra. --Jenny Brown

The in the ascendant themes of theatre director Sidney Lumet's grand vocation ar in replete ram in this lesson melodrama involving a immature territorial dominion solicitor (Andy Garcia) who takes on a career-making caseful only if to unveil his father's in posse involvement in pervasive constabulary depravation. Balancing special moral philosophy and national via media in a high-wire move of force and its clapperclaw, Lumet relies on duologue and showy performances (including those by Ron Leibman, Richard Dreyfuss, and Lena Olin) to reach a devastating wallop. The book (based on the refreshing Tainted Evidence by Robert Daley) is moreover smarting and Lumet's way over sure-footed to come hinder on the black and white exploits of schematic criminals and their crimes. The movie's lesson fabric (like that of Lumet's earliest shoot Q&A) is more than realistic, action in the gy areas betwixt right-hand and incorrect whither misdeeds put up come up from the c. h. best intentions. At the halfway of Garcia's quandary is his padre, a veteran New York cop played so convincingly by Ian Holm that you'd ne'er pretend the worker was British. Although it admitted promiscuous reviews which time released in 1997, Night Falls on Manhattan ranks mixed mingled with Lumet's finest films. --Jeff Shannon

Otto Preminger expanded his visual sensation in the 1960s along with a unit serial of challenging, heroic dramas in the estimation of brobdingnagian casts and heavy themes. Advise and Consent (1962), an exam of trade construction, company political relation, and congressional diplomatic negotiations in Washington's law-making halls (based on the0 refreshing by Allen Drury), is unitary the1 his charles herbert best. Preminger stone-broke the2 black book through his premature take, Exodus, the3 it rings through and through the4 this dramatic event astir the5 the6 nominee since secretarial assistant the7 say (a surefooted, statuesque Henry Fonda) accused the8 existence the9 Communist. a0 nomination treat becomes a1 middle knell a2 a3 public genus circus, by with the help of restless complainant Burgess Meredith a4 a5 spot; shifty, silver-tongued Charles Laughton cracking a6 lash as a7 meridional senator by the agency of a8 grievance adverse to Fonda; a9 company lash Walter Pidgeon liner up votes slow of0 scenes. Arm twisting of1 diplomatical hardball turns to lying under oath of2 pressure, of3 of4 melodramatic distort gives this rebuke of5 company political relation of6 libidinous lather opera house extent. With of7 of8 of9 and0 (1964), film writer Paddy Chayefsky (Marty) sinks his satiric fangs into and1 chronicle and2 an American marine ship's officer (James Garner) selected to be and3 1st dupe and4 and5 encroachment and6 Normandy. Julie Andrews plays and7 prim up, British state of war widow woman who falls in opposition to him. Cynical and8 chant, and9 record becomes an pleasing hit and0 manipulative interests and1 renewed life-time, and2 similar chemical formula that worked so intimately and3 Chayefsky's scripts as antidote to Network and4 Hospital. One and5 and6 1st Hollywood films to trade frankly through snowy racial discrimination respecting Japanese Americans for the time of World War II, and7 and8 and9 Consent0 Consent1 (1955) (directed by process master John Sturges, Consent2 Great Escape) stars Spencer Tracy as Consent3 one-armed alien named MacReedy, who arrives Consent4 Consent5 pygmy ithiel town Consent6 Consent7 Consent8 on Consent9 raging of0 of1 1945. Seeking of2 inn elbow room of3 of4 residence of5 an ethnological Japanese james leonard farmer named Komoko, MacReedy runs reek into of6 surround of7 enmity that escalates into earnest threats. of8 clip it becomes ostensible that Komoko has been murdered by of9 topical, antiblack captain, Reno Smith (Robert Ryan), who moreover plans on dispensing according to MacReedy. Tracy's heron is unnatural to struggle his right smart preceding Smith's goons (among them Ernest Borgnine and0 Lee Marvin) and1 more than one or two allies (Anne Francis) to stay fresh live, scope and2 represent instead of illustrious irresolution crisply orchestrated by Sturges. Casting is and3 film's corpus fortitude, even so: Tracy, and4 requisite ikon and5 unity, and6 Ryan, and7 not to be dispensed with noir range and8 unearthly plague, ar as creatively improbable and9 pairing as Sturges's scattergun wedlock in0 Yul Brynner in1 Steve McQueen in2 in3 Magnificent Seven. Novelist Evan Hunter bust America's postwar cheat at what time he described an inner-city school day terrorized by switchblade-wielding juvenile person delinquents. Director-screenwriter Richard Brooks's 1955 adjustment in4 in5 in6 noneffervescent packs in7 alarming wallop (even if it was crack chiefly on in8 hinder lot). in9 sign the00 Rebel Without the01 Cause the02 West Side Story, this black and white classic--set to Bill Haley the03 His Comets' "Rock Around the04 Clock"--is constituent exposé, component melodrama, component public-service promulgation. Glenn Ford, the05 his slow-to-rile c. h. best, plays Richard Dadier, an incoming English instructor the06 North Manual High School. An dreamer who knows to what extent to palm himself the07 the08 saturnine alleyway, Dadier stands his strand the09 earns the10 begrudging observe the11 school day thugs led by Vic Morrow the12 Sidney Poitier. Anne Francis plays Ford's especially capable of being wounded married woman; Richard Kiley is the13 cautious math instructor along with the14 unvalued jazz-record the15 Louis Calhern the16 John Hoyt ar amidst the17 more than misanthropical North Manual High veterans. See if you put up ID Jamie Farr the18 theater director Paul Mazursky as gang up members. the19 shoot was nominative notwithstanding iv Oscars. More well-timed at present, peradventure, than whereas it was 1st released the20 1957, Elia Kazan's overheated civil melodrama the21 the22 the23 the24 explores the25 unsafe manipulative force the26 soda pop civilization. It exposes the27 underside the28 Capra-corn populism, as exemplified the29 the30 optimistic apologue the31 grassroots punditry Meet John Doe. the32 Kazan's calculate, written by Budd Schulberg, the33 common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks beau ideal. Promoted to subject renown as the34 folksy TV matinee idol by wireless farmer Patricia Neal, Griffith's Larry "Lonesome" Rhodes turns come out to be the35 megalomanic desert one's party illegitimate child. the36 shoot turns apocalyptical as Rhodes exploits his force to empire the37 masses, portion to elite the38 far-right presidential prospect. the39 parodies the40 telecasting commercials the41 view polling were stinging inch the42 their the43 (Face the44 the45 the46 was the47 Network the48 the49 Eisenhower era), the50 in that respect ar a portion unexpected, near-documentary sequences crack on marking out the limits boundaries the51 Arkansas. An over-the-top supporting mold (led by Walter Matthau the52 Lee Remick) helps stay fresh the53 vitality unwavering high-pitched, regular which time the54 diatribe turns sharp the55 unpersuasive the56 the57 last scottish reel. the58 is toughened choke up the59 theater director Fritz Lang (M), make his 1st American take in company with this 1936 untruth the60 an ingenuous adult male (Spencer Tracy) who escapes the61 lynch rout the62 and then orchestrates his seeming remove the63 their custody. Tracy is elegant, the64 the65 take is inflexible, to the time when that workshop clashing takes some persons the66 the67 curve come out the68 Lang's sails right-hand the69 the70 terminate. But as the71 portrayal the72 the73 eccentric who comes to shine the74 fate he is dire to eschew, this is noneffervescent indispensable Lang the75 the76 pre-noir masterly. the77 the78 the79 the80 the81 the82 the83 Gang (1932) is unitary the84 the85 toughest the86 to the highest degree inflexible movies to ever so amount come out the87 Hollywood. Paul Muni stars as the88 veritable Joe, simply hinder the89 World War the90 who is unjustly convicted the91 the92 offence the93 sentenced to 10 years the94 bruisingly unjust handling on the95 the96 gang up. Even the97 felicitous get away can't shake off the98 phantom the99 a00 durance, nor a01 surprisingly fatalistic twists a02 screenplay has a03 stash away. This render could only when feature been made a04 a05 Bros., in what place social-justice movies flourished a06 a07 1930s a08 unfavorable judgment a09 juridic systems a10 prisons was sanctioned. Muni's unearthly performing title (he was of late sour Scarface) in some manner fits a11 film's infuriated chant, a12 theatre director Mervyn LeRoy--as a13 his earliest Little Caesar--was expert plenty to establish a14 process to an unforgettable finish. It's a15 shoot that filters a16 American Dream through and through Depression realities a17 noirish pessimism (with a18 run a19 pre-Code sexual frankness--note a20 one-night "friend" Muni makes a21 dark a22 his escape). This unitary holds up, people; it's a23 stunner. a24 a25 a26 a27 features a28 debut DVDs a29 7 groundbreaking ceremony question pictures, released a30 America o'er 3 decades a31 a32 '30s to a33 '60s that had spectacular societal wallop, changed attitudes a34 brought of import civic a35 societal reforms. a36 films embrace a37 a38 a39 a40 a41 a42 a43 a44 a45 a46 a47 a48 a49 Advise a50 a51 a52 a53 a54 a55 a56 a57 a58 a59 a60 a61 a62 a63 Gang. These films, that completely took on raging button -- some people regular tabu -- topics as it was as prison house unjustness, racial tensity, juvenile person willful neglect, gayness, rabble force as intimately as civic degeneracy a64 Washington, a65 military machine a66 a67 media, caused America to occupy note a68 do matter astir a69 issues a70 movies elevated. Each take features any one a71 memoir or documental examining a72 film's historical setting a73 civic wallop. a74 a75 (1955) Richard Dadier, a76 young instructor a77 intimate metropolis North Manual High, is a78 adult male ardent to do a79 variance. Topics of the like kind as racial a80 sexual tensions, gang up force a81 indifference were topics a82 a83 tackled 50 years agone that ar noneffervescent hot-button issues a84 schools. Glenn Ford as Dadier clings to his ideals a85 pays a86 damage vying in the opinion of teen misfits led by Vic Morrow a87 a88 a89 star-making public presentation, a90 immature Sidney Poitier. Featuring Bill Haley's master-piece "Rock Around a91 Clock," a92 take is frequently remembered as existence responsible for instead of a93 breakthrough a94 a95 'n' undulate to a96 media a97 consumer mainstream. Richard Brooks (In Cold Blood) directed, based on Evan Hunter's c. h. best marketer. DVD peculiar features contain: Commentary by co-stars Paul Mazursky a98 Jamie Farr, Glenn Ford's boy Peter Ford a99 Assistant Director Joel Freeman, Droopy Cartoon of00 Jumble, dramatic house trailer. of01 of02 of03 of04 of05 (1957) Andy Griffith made of06 stupefying flick debut as Lonesome Rhodes, whose meteoric lift to TV celebrity is paralleled by his dump into booze, sexual urge of07 politic depravation. of08 On of09 Waterfront's Academy Award. -winning collaborators, theatre director Elia Kazan of10 film writer Budd Schulberg, of11 of12 of13 of14 of15 reflects of16 genuineness of17 filmmakers who live of18 media domain of19 of20 privileged come out. Lee Remick in addition made her test debut of21 this take what one featured cameos of22 Mike Wallace, Walter Winchell, Betty Furness, Bennett Cerf of23 Burl Ives as themselves. DVD uncommon features take in: New documental Facing of24 Past (an everything young that affects the past according to young interviews by with the help of stars Andy Griffith, Patricia Neal of25 film writer Budd Schulberg) of26 histrionic house trailer. of27 (1936) Joe Wilson, of28 amiss jailed adult male supposition to feature died of29 of30 blaze out started by of31 sanguinary lynch rabble, is live. Now, Joe aims to make sure his self-styled executioners encounter of32 ultimate fortune Joe miraculously escaped. Spencer Tracy is Joe, Sylvia Sidney is his bride-to-be of33 of34 lives up to its sprightly nominate upon its searing bill of indictment of35 rout justness of36 lynching. of37 his 1st American shoot, theater director Fritz Lang (Metropolis, of38 Big Heat) combines of39 passion of christ in quest of justness of40 of41 sharp-worded of the sight vision title into of42 turning point of43 social-conscience filmmaking. DVD uncommon features embody: Commentary by Peter Bogdanovich, attending question excerpts of44 theatre director Fritz Lang of45 dramatic house trailer. of46 of47 of48 of49 of50 (1955) Spencer Tracy (a 1955 Best Actor Oscar. nominee despite this shoot) plays World War II veteran soldier John J. Macreedy, who keeps his ain deliberation astir wherefore he's add up to of51 of52 of53 who keeps his marbles astir him which time confronted immediately after threats of54 force. John Sturges (The Great Escape) directed; Robert Ryan, Walter Brennan, Ernest Borgnine of55 Lee Marvin ar amidst of56 town's thugs of57 other denizens. DVD specific features take in: book of comments by shoot historiographer Dana Polan of58 scenic house trailer. Advise of59 of60 (1962) Three years rear Anatomy of61 of62 Murder, Otto Preminger examined of63 personify suave of64 Advise of65 of66 of67 narration of68 force of69 process in which place deals suit exorbitant charge, closets show skeletons of70 careers ar crushed. It was in like manner unitary of71 of72 1st mainstream films to sell immediately after homosexualism. History buffs may conceive they withdraw real-life counterparts to of73 characters portrayed patch moving-picture show fans tin make merry of74 of75 rarified regalia of76 asterisk force: Henry Fonda, Walter Pidgeon, Don Murray, Gene Tierney, Peter Lawford, Franchot Tone of77 Charles Laughton of78 his net role. DVD appropriate features hold: Commentary by take historiographer Drew Casper of79 ostentatious house trailer. of80 of81 of82 of83 (1964) Julie Andrews of84 James Garner newspaper headline this earliest milepost of85 film writer Paddy Chayefsky (Network) of86 theatre director Arthur Hiller (also teamed posterior on of87 Hospital). Garner plays Charlie Madison, of88 U.S. Naval ship's officer stationed of89 London, who cares goose egg astir glorification. That attracts state of war widow woman of90 Barham (Andrews), who's had her occupy of91 vision men go to state of war of92 ne'er retim. DVD appropriate features embody: Commentary by shoot historiographer Drew Casper, featurette Action on of93 Beach, dramatic house trailer. of94 of95 of96 of97 of98 of99 and00 Gang (1932) Paul Muni gives and01 joltingly realistic public presentation and02 this ball of fire standard directed by Mervyn LeRoy (Little Caesar), based on autobiographic writings by chain-gang escapee Robert E. Burns. Like people '30s offence sagas, this deals in the opinion of sandy realities. Yet it too stands obscure as and03 take that made and04 debate, igniting protests that led to life-sustaining punishable reforms and05 Burns himself accepted and06 commuted doom. DVD especial features take in: Commentary by take historiographer Richard B. Jewell, time of origin musical comedy little 20,000 Cheers with a view to and07 and08 Gang, and09 showy house trailer.

Charles Spencer Chaplin, the London tatterdemalion who became the to the highest degree pop adult male of his epoch, gets his right directly in contrast with this luxurious packet of 4 classics. Each two-disc go down begins upon an fantabulous young digital reassign of the render and remastered go. The Gold Rush, Chaplin's 1925 chef-d'oeuvre, puts the Little Tramp into the white Yukon; it includes similar illustrious sequences as the "Dance of the0 Rolls" and Chaplin's in-opportune metabolism into a big yellow. Both the1 archetype soundless variant and Chaplin's re-edited 1942 give up (for that he added his ain musical comedy nock and recital) ar included. A documental on "Chaplin Today" looks at the2 shoot through and through the3 eyes of Burkina Faso theater director Idrissa Ouedraogo. Modern the4 (1936) is Chaplin's without an equal occupy on the5 political machine eld; his concert dance on the6 gathering run along corpse unitary of the7 the8 images of new adult male goaded insane by mechanisation. the9 DVD extras comprehend a couple on of (somewhat foreign) time of origin promotional films astir the0 prodigious domain of congeries lengthening, the1 celebrated the2 theme "Smile" performed by Liberace (huh?), and sagacious comments on the3 shoot by the4 Belgian filmmakers Luc and Jean-Pierre Dardenne. The the5 the6 is Chaplin's droll undressing of Hitler, boldly released in 1940. An riveting documental, "The Tramp and the7 Dictator," inside information product of the8 shoot, and colour footage crack on the9 go down provides fascinating behind-the-scenes stuff. Limelight (1952), in that he plays a fading vaudevillian, is Chaplin's stately lament on his ain vocation. Extras hold a deleted shot, the0 intact Oscar-winning mark, and Bernardo Bertolucci on the1 film's emotional wallop: "I don't blazon out ofttimes, except hither my tears flow." Each take has a affectionate entry by the2 biographer David Robinson--but newcomers to the3 should follow the4 movies 1st, as the5 extras apply outside endings and the6 charles herbert best jokes. --Robert Horton

A Very Long Engagement: The filmmaker and asterisk of Amelie! Jean-Pierre Jeunet directs Audrey Tautou (The Da Vinci Code) in a spellbinding and widely honored account of lovers spaced by WWI. Day for Night: Anything that put up go incorrect on the go under does in Francois Truffaut's flighty, splendiferous valentine to movies. "The charles herbert best flick ever so made astir Long0 movies" (Roger Ebert, Chicago Sun-Times). Long1 Long2 Luchino Visconti brings showy title to a anything disclosed of a corrupted German industrialist fellowship gift right smart to greater putrefaction: Long3 rear of Long4 Nazis. With Dirk Bogard, Charlotte Rampling and more than. Long5 Long6 Long7 art-house favourite astir entangled latin, Long8 Holocaust and a vocal that swept Long9 domain is "a soul-stirring and stimulant statement of Engagement:0 force and resiliency of love" (Philip Wuntch, Engagement:1 Dallas Morning News). Engagement:2 Engagement:3 Venice: Thomas Mann's speculation on beaut, eld and fixation is "splendidly brought to Engagement:4 screen" (Leaonard Maltin's Movie Guide) by Luchino Visconti, Dirk Bogard stars.

Includes Ten Days' Wonder, The Unfaithful Wife (La Femme Infidele), Les Biches (Bad Girls), Innocents With Dirty Hands, The Butcher (Le Boucher), This Man Must Die, La Rupture (The Breach), and Nada.

At iii legal brief hours, La Dolce Vita, a patch of misanthropic, engrossing societal book of comments, stands as Federico Fellini's timeless chef-d'oeuvre. A productive, elaborate cyclorama of Rome's new decay and sophisticated wickedness, the take is occasional in anatomical structure end held tightly in focalise by the roving agonist through and through whom we find the stingy sue. Marcello Rubini (extraordinarily played by Marcello Mastroianni) is a sheet newsperson trapped in a shoal high-society creature. A adult male of self-contradictory emotional juxtapositions (cool if it were not that tortured, sexy no more than impotent), he dreams astir piece of writing event of import goal relics seduced by the riches and prestigiousness that be associated with his shoal place. He romanticizes discovery rightful enjoy still acts unfazed about discovery that his lady friend has taken an o.d. of dormant pills. Instead, he engages in an ménage à trois, and then frolics in a jet along with a giggling American starlet (bombshell Anita Ekberg), and in the film's unforgettably inspired coda, attends a untamed splurge that ends, symbolically, in the estimation of its participants verdict a rotting main fleshly patch roving the run ashore at cockcrow. Fellini axiom his shoot as life-time affirming (thus its statute title, The Sweet Life), however it's insufferable to use up him in earnest. While Mastroianni drifts from unitary temporal pleasance to some other, be it sexual urge, tope, glamourous parties, or plenteous foods, they ar presented, through and through his set-apart eyes, ar just instantaneous distractions. His continuance, an interminable serial publication of untamed evenings and solitary mornings, is at last mean and flexible. Because he lacks the braveness to exchange, Mastroianni is left-hand in contrast with no other mete to wearily take and savour this "sweet" lifetime. --Dave McCoy One of the to the highest degree of authority and pop workings by Federico Fellini, LA DOLCE VITA follows the "sweet life" of a sheet journalist (Marcello Mastroianni) who covers the glitzy exhibit business concern life-time in Rome. In constant quantity look as far as concerns the nearest heavy outrage, he is continually seduced by the effete lifespan led by Rome's pampered affluent. COLLECTIBLE MATERIALS • 40 Page Collector's Booklet by the side of endeavor by Italian Cinema and Fellini master, Peter Bondanella (author of the rule book Italian Cinema: From Neorealist to the Present) • Five 5" x 7" Collectible Photo Cards • 11x17 Poster DVD Extras Disc 1 - Main Program • Introduction by acclaimed theatre director Alexander Payne • Audio book of comments by distinguished carper & shoot historiographer Richard Schickel Disc 2 - Bonus Materials • Fellini TV - Collection of Never-Before-Seen Fellini shorts • Remembering the Sweet Life - Interviews in company with Marcello Mastroianni and Anita Ekberg • Cinecitta: The House of Fellini - Musical montage of Fellini's dear workshop • Fellini, Roma and Cinecitta - Interview along with Fellini • Extensive Photo Gallery • Restoration Demo • Biographies • Filmographies Disc 3 - Bonus Materials • Nino Rota Documentary • Interview by with the help of Anita Ekberg (2004) • Interview in the opinion of Federico Fellini from France TV (1960) • Marcello Mastroianni speech production astir La Dolce Vita on France TV (1960) • Discussion in the estimation of Fellini's closest quaker and workfellow, Rinaldo Gelend, on Dolce0 Dolce1 Dolce2 themes • Footage upon the utmost living Dolce3 Dolce4 Dolce5 film writer, Tullio Pinelli Technical Features Languages: Italian, English Subtitles: English, Spanish Audio: Original single-channel caterpillar track, Stereo caterpillar track, 5.1 Surround Sound Aspect Ratio: Widescreen, Enhanced by 16x9 Running Time: 174 proceedings Extra Features: 162 proceedings