Stop! Don't short that articulate till you watch over these iii fruitcake hemp classics from the 1930. Get the privileged dope up on the do drugs delirium, and escort that which really happens slow the locked doors of a cannabis sativa company! Reefer turns a upright young woman into a heroin-selling slattern in the hallucinating, over-the-top non-masterpiece "Marihuana" (1936, 56 min.), from disgraceful development shoot open up Dwain Esper (Maniac). Then, a trig newsperson tries to penetrate a teenage gang up of overdue potheads in "Assassin of Youth" (1937, 73 min.), only if to dump into a play off of doobie-induced wrong act. Plus, as a uncommon incentive, the unitary and only when "Reefer Madness" (1936, 65 min.) as you've ne'er seen it before--digitally transferred from a handsome 35mm impress.

Keeping The Faith - DVD- Ben Stiller (THE ROYAL TENENBAUMS), Jenna Elfman (EdTV), and Edward Norton (FIGHT CLUB) asterisk in KEEPING THE FAITH, a sexy romanticist comedy so invigorated and humorous, you'll come head up o'er heels in love! Jake Schram (Stiller) and Brian Finn (Norton) ar undivided, lucky, super pop guys who feature been charles herbert best friends considering, intimately, forever and a day. They ar astir to be reunited in company with their other charles herbert best puerility sidekick -- the plucky, lanky romp, Anna (Elfman). Anna has grown into a high-powered workaholic beaut whose reentry into their lives turns this older circulate of friends into a love trilateral -- a really complicated unitary at that, for the reason that Jake's a teacher and Brian is a non-christian priest. But feature faith -- this gemstone is sledding to slip your bosom. Mad Love - English/French DVD- Chris O'Donnell (BATMAN FOREVER, THE BACHELOR) and the enticing Drew Barrymore (CHARLIE'S ANGELS, BOYS ON THE SIDE) come knockout in MAD Faith0 -- the untamed and sexy fiction of ii hot immature canaille who occupy to the route on the side of the unbelievable escapade of their lives! Straitlaced Matt (O'DONNELL) is right away charmed by Casey (BARRYMORE), the elegant and unpredictably refractory young fille in ithiel town who refuses to recreate by the rules! But at the time they're faced in company with lasting breakup, they resolve to allow everything slow and go outside unitedly ... and go head-on into the genial of passion of christ, play, and fervour you won't before long leave

Like numerous public-domain DVD sets, this six-disc go under compiles a smattering of well-liked features from unitary genre--in this caseful, a quintette of to be venerated '40s noir. Where Questar's package exceeds expectations is on its 6th disc, what one is chock-a-block replete of extras that do the go down a must-have concerning viewers sounding with regard to a break apart trend in Hollywood thrillers. The lineup of flicks is solid--Rudolph Mate's D.O.A., in what one Edmond O'Brien fustiness regain come out who has poisoned him; Edgar G. Ulmer's minimalist Detour, what one pits do-or-die Tom Neal contrary to savage Ann Savage; Orson Welles's The Stranger (which is technically more than suspension than noir), in what one his Nazi-turned prof locks horns in company with Edward G. Robinson--who's in like manner featured in Fritz Lang's temperamental Scarlet Street. The go under is rounded come out by the lesser-known Killer Bait, and if the depict lineament isn't as crystal-clear as on john r. major workshop releases, the supplemental features more than than do up conducive to it. Disc 6 features ii puff up featurettes, unitary on the genre itself and the other on its rapacious ladies, as intimately as a colour art gallery of posting artistry and a terrifying digest of trailers by reason of so films as Bullets or Ballots and The Postman Always Rings Twice. For noir first-timers, this go down is a killer localize to take up. --Paul Gaita Lights come out! Questar presents v killer examples of film noir, the shadow-drenched genre of middle-class criminal offence, anxiousness, and defiance of consequences that blackened American motion picture screens in the 40's and 50's. Each of these thrillers comes in a crispy archival impress on a divide DVD, what one includes riveting incentive features on one of the the vulgar and ideas slow this darkest—and to the highest degree enduringly popular—of completely picture show genres. Disc One: D.O.A. - On holiday from his clinging lady friend, a self-complacent comptroller (Edmund O'Brien) unwittingly swallows a tope spiked in the estimation of radioactive envenom and so spends the utmost do-or-die hours of his lifetime painful to regain come out who "killed" him—and wherefore. Directed by Rudolph Mate. Disc Two: Detour - Hitchhiking crossways the rural area to reunite by the agency of his lady friend, the film's "hero" encounters 2 corrupt characters—one of them a poisonous, blackmailing adult female whom he "accidentally" murders. Directed by Edgar G. Ulmer. Disc Three: The Stranger - Orson Welles directs and stars in this thriller astir a hateful Nazi prescribed who's hiding come out as a small-town American body prof. A state of war crimes investigator turns up set to exhibit him—even if it substance endangering the Nazi's ingenuous married woman. Disc Four: Scarlet Street - Homely, henpecked Chris Cross (Edward G. Robinson) leads an honourable, if tardy, middle-class lifetime to the place he falls frantically in enjoy accompanying the dangerously tempting immature Kitty (Joan Bennett). Directed by Fritz Lang. Disc Five: Killer Bait - A dispute couple up regain a bagful of riches in the hinder sit of their gondola. The hubby wants to turn over the unlicensed cash in in, goal his money-hungry married woman has a separate idea—and she'll do anything to realise it. Directed by Byron Haskin. Disc 6: SPECIAL FEATURES - Black and Blue: The History of Noir; Hot-Blooded and Cold-Hearted: The Dames of Killer0 Killer1 Classic Lines Quiz; Over 35 Killer2 Killer3 Trailers including Double Indemnity, 1944, Reservoir Dogs, 1992, Sunset Blvd, 1950...

Mad Love - English/French DVD- Chris O'Donnell (BATMAN FOREVER, THE BACHELOR) and the alluring Drew Barrymore (CHARLIE'S ANGELS, BOYS ON THE SIDE) come severe in MAD LOVE -- the untamed and sexy fib of ii impetuous immature the multitude who use up to the route beneficial to the unbelievable dangerous undertaking of their lives! Straitlaced Matt (O'DONNELL) is now charmed by Casey (BARRYMORE), the graceful and unpredictably seditious young young lady in ithiel town who refuses to recreate by the rules! But at the time they're faced by with the help of lasting detachment, they settle to allow for everything slow and go outside unitedly ... and go head-on into the genial of passion of christ, play, and fervor you won't before long leave! Up Close & Personal - English/French DVD- Hollywood favorites Robert Redford (SPY GAME) and Michelle Pfeiffer (I AM SAM) sizzle unitedly in this acclaimed novel of het passion of christ and burning at the stake aspiration! When etc see the verb word newsperson Tally Atwater (Pfeiffer) tries to break away into tv, only when veteran soldier newsman Warren Justice (Redford) testament apply her a crack. In clip, he teaches her everything she knows astir tidings ... and she teaches him to what extent to love over again! But by means of her rear from limited TV endure missy to web ground, Tally and Warren mustiness equilibrize the woolgather of fortunate hit ... by with the help of their want conducive to to each one other. Also featuring Celine Dion's #1 strike exclusive "Because You Loved Me" -- you'll regain this entertaining question show an out-and-out must-see!

The clearest and to the highest degree understandable Shakespeare productions ever so made. Staged as seen in the 16th Century, featuring award-winning performers. The enthralling fabrication of a self-centered and debilitated king. Starring David Birney, Paul Shenar, John Devlin and William H. Bassett. 172 transactions.

New shoot based on the award-winning recreate by Jeanmarie Simpson astir the lifespan of 1st US Congresswoman and womb-to-tomb pacifistic, Jeannette Rankin.

Sally Potter's self-reflective take stars Potter (an actress and the theater director of Orlando), more than or to a lesser extent as herself, acquisition to tango from get the hang social dancer Pablo Veron and taking into account material a shoot called The Tango Lesson. The shoot that we bechance to be attention, notwithstanding, is interested for the most part by the agency of the palatable contravene betwixt the political relation of tango--the demand notwithstanding unitary participant, typically the adult female, to relent to the other--and tango0 expectations of tango1 filmmaker to do things on her ain stipulations. Can Potter at the same time deliver and verify as far as concerns tango2 continuance of this rotary throw? tango3 call into question is made more than complicated by Veron's want to be in unitary of Potter's films--in other bickering, to come after her top. Potter may non be Veron's touch on tango4 trip the light fantastic toe base, nevertheless that isn't tango5 repoint of this entertaining motion-picture show and its exciting, intragroup deliberate. --Tom Keogh

When the ceremonious give up of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200-million blow epical would make the director's ruin, signaling the terminate of the smash hit epoch, and go under Paramount Pictures as apace as the ill-starred opulence lining had sunk on that portentous dark of April 14, 1912. Titanic would surmount the $1-billion german mark in planetary box-office receipts, reach 11 Academy Awards including Best Picture and Director, set in motion the best-selling moving-picture show soundtrack of completely clip, and do a world-wide superstar of Leonardo DiCaprio. A bona fide pop-cultural prodigy, the shoot has quite the ingredients of a megahit (romance, passion of christ, luxuriousness, superior surmount, a snidely baddie, and an epical, life-threatening crisis), further Cameron's art of these ingredients proven more than pop than anyone could feature predicted. His cerebrovascular accident of brain was to incorporate sheer legitimacy through a pair off of fictional lovers whose tragical destruction would draw and quarter viewers into the heart-wrenching realness of the Titanic reverse. As starving creative person Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the black maria of viewers on all sides the domain, and their legal brief, but that ne'er buried in oblivion, enjoy affaire provides the milk of human kindness that Cameron needful to turn over Titanic into a impressive emotional go through. Although any of the computer-generated optic personal effects appear unreal, others--such as the climactic splitting of the ship's sinking feeling hull--are state-of-the-art marvels of cinematic ingeniousness. It's an case shoot and a remembrancer to Cameron's risk-taking audaciousness, blending the tragical mockery of the Titanic misadventure by with the help of simply plenty story excogitation to apply the historical case its fullest and to the highest degree timeless spectacular wallop. --Jeff Shannon DVD features Perhaps James Cameron wasn't quick to dishful in 1999 whenever his mega-hit debuted on DVD by the side of nary an special (no, we don't number the trailer). Now in 2005, Cameron and his magicians dishful on the cutting-edge personal effects and the trade of the picture show. The bosom of the extras ar o'er 45 proceedings of deleted scenes fans testament crawl o'er, including a part commerce according to historical backstory (including a shot on the nearby ship California), a outstanding candy kiss betwixt Jack and Rose, and an extended indetermination shot (listen to Cameron's book of comments on that one). Happily, the substitute finish was non used (no, Jack doesn't live). The go has been upgraded (including a DTS 6.1 ES track), the colour roof of the mouth is richer (the interiors beam more), and the depict is anamorphically enhanced in quest of widescreen televisions, even if the shoot is at present split up onto 2 discs. The three-disc go down has an copiousness of materials; the galleries, instead of lesson, hold 628 on-set photos, 447 private photos from the cinematographer, 532 storyboard sketches, 148 technological drawings, and regular a 72-page history of publications. The features on the sets and personal effects offer up a certain number of outstanding tidbits, multitude conduct for what cause everything had to be made against rented subsequently to to the highest degree items were sledding to be ruined on photographic camera. Cameron is pictured on the package prowess and his impression is the whole of o'er the DVD go under. He narrates the rich plunk footage, you tin say his pilot "scriptment" (if you need to say although 492 sir frederick handley page clicks; a certain of these extras would feature been best on a CD-ROM), and his memoir caterpillar tread is so consummate, he covers to the highest degree of the items the historical experts offer up on their ain caterpillar tread (they acquire moreover caught up in the take to rally more than entertaining facts). He offers only when unitary apologia during the term of a factual "guess" and clears up that "king of the world" riffian at the Oscars. The tertiary book of comments according to to the highest degree of the francis scott key members of the mould and throng is charles frederick worth a hear moreover, alas, Leonardo DiCaprio does non lead to this or whatever other young feature film. Other must-sees: a time-lapse little on the conception of the boat go under, and the first-half of a present to the faculty that workings as a blooper scottish reel. One caveat: there's a four-disc Region 2 variation uncommitted in Europe in the estimation of parodies and other extras, otherwise than that no unitary is sacrifice an prescribed conclude wherefore it's non offered in the States. --Doug Thomas Leonardo DiCaprio and Oscar-nominee Kate Winslet scant up the test as Jack and Rose, the immature lovers who regain unitary some other on the unpolluted navigate of the "unsinkable" R.M.S. Titanic. But at what time the ill-omened sumptuousness lining collides by means of an berg in the frosty North Atlantic, their impassioned enjoy involvement becomes a thrilling rush instead of endurance. From acclaimed filmmaker James Cameron comes a rehearsal of out enjoy and bravery in the human face of blow that triumphs as a lawful cinematic chef-d'oeuvre.

It took closely a decennium to regain a reciprocally delectable screenplay, moreover the stars and theatre director of Pretty Woman eventually reunited to do Runaway Bride, sagely avoiding whatever endeavor to retake the 1990 film's subtle thaumaturgy. The ensue is a fully gratifying romanticistic comedy that would've fared best critically (despite boffo package power) if it hadn't been overshadowed by its megahit precursor. It's certainly a more than believable shoot than Pretty Woman, mercantile a forced sprite legend (hooker meat hooks up according to emperor of japan? bah!) because a more than amiably formal patch astir big-city newsperson Ike Graham (Richard Gere) who falls in quest of a small-town handywoman Maggie Carpenter (Julia Roberts) attending a awful wont of fleeing from the communion table in a revenant say of premarital scare. Both characters ar instantly likeable, and the smooth out duologue by Josann McGibbon and Sara Parriott only when once in a while panders to sitcom cuteness. And in the face of his subprogram give of shrewd trade toward commercial-grade invoke, theatre director Garry Marshall knows whereas to swear his stars and stuff, loaning this pic a occasional becharm (aided by a terrifying supporting mould) that ne'er feels catachrestic or unreal. The unit thing's utterly predictable, horseback riding on the suspenseless call into question of whether Maggie testament underprice her sports-nut fiancé (Christopher Meloni) and bind the gnarl accompanying Ike. It's a predetermined ratiocination on the model of the general games of romanticist true cat and computer mouse, but that the alchemy betwixt Roberts and Gere is indubitable, and according to a decade's charles frederick worth of more stardom betwixt them, they beam as brightly as ever so. --Jeff Shannon

This time-capsule shoot from 1971 is a hone lesson of having one's bar and feeding it, moreover. Written and directed by filmmaker Tom Laughlin--and starring him in the statute title role--Billy Jack concerns a half-white, half-Indian karate prompt who protects a liberal school day reinforced on principles of passivism by kicking hell on earth come out of pesky rednecks. The chronicle really embraces that tautness betwixt Billy Jack's right smart of doing things and that of the school's father (Delores Taylor), if it were not that their tenseness doesn't so often top to an exam of principles as it leads to an pardon with a view to Laughlin to integrated struggle scenes betwixt hippy political relation. Crude and unrelenting, the take is affectedly nice exploitatory of a viewer's torn sympathies, and in that right smart Billy Jack really anticipates a great deal of the simple-minded, wild transportation that followed in the movies of the '70s and '80s. --Tom Keogh