A surprisal strike and unitary of the highest grossing films ever so to add up come out of Great Britain, this effortlessly enrapturing romanticistic comedy finds confirmed bach Hugh Grant (Nine Months) attending weddings through his undivided friends as they entirely keen non existence able-bodied to practice. Grant keeps working into an enchanting American (Andie MacDowell) at these festivities and begins a long-running affaire accompanying her, regular as he attends her ain wedding party, the funeral of unitary of his charles herbert best friends, and his ain unsettled marriage. Featuring a full of spirit supporting mould including Kristin Scott Thomas (The English Patient) as the acerbic quaker quiet in enjoy immediately after Grant, this melting and droll shoot attending a troublesome signified of humour and0 any genuinely heartbreaking moments is destined to suit unitary of the pure romanticist comedies of every one of clip. --Robert Lane

Music and Lyrics is trifling and henry sweet, same the top out of a hone cappuccino coffee shared a deux. Hugh Grant is a self-professed "happy has-been," playing his befuddled, endearing image more than spot-on than he has from that time Four Weddings and a Funeral. As Alex, previous fellow member of an '80s soda striation who years posterior is playing at irrigate rosa parks and high-pitched schooltime reunions, he's steady into a lifespan of inferior expectations. Drew Barrymore, quiet sparkling, is Sophie, the underachieving fille Friday who arrives to water--make that overwater--Alex's plants--and to blow up him come out of that comfy groove. If the plot's a fleck implausible, it matters non, as the 2 top characters ar so likable--and do like fair music unitedly. Big incentive: the supportive role of Kristen Johnston as Rhonda, Sophie's older sis (and longtime Alex buff) whose screaming public presentation threatens to slip the present at whatever time she's onscreen. (The possessor of a sir ernst boris chain of felicitous weight-loss centers, Rhonda tries to solace a rattled Sophie: "Want to do moderate accent eating?") The take likewise first baron marks of broughton the singular debut of Haley Bennett, who plays a soda pop asterisk of Britney/Cristina proportions by with the help of expressionless unassumingness radiating through and through her skimpy outfits and mega-extensions. As Alex and Sophie act on crafting musical theater thaumaturgy, affair besides is captivating carry. It's music to the ears of anyone needing a henry sweet romanticistic comedy that hits quite the right-hand notes. --A.T. Hurley First you're raging, and then you're not...and so you're Alex Fletcher (HUGH GRANT). So whenever the sizzlingest tween-queen on the charts asks the back-number '80s tonic aesthesis to indite her a vocal, he grabs because of some other befall at stardom. Problem: Alex put up speak it immediately after and0 boundary he trusted can't rehearse it immediately after war of words. Enter Sophie Fisher (DREW BARRYMORE), his beguiling if quirky set peeress, who has a immature pollex on the side of and1 Together, they go behind songwriting good fortune -- and2 find that if you need to indite the hone enjoy vocal, it helps to come in enjoy. With Hugh Grant and3 Drew Barrymore at the keyboard and4 Marc Lawrence (Two Weeks Notice) guiding, and5 and6 and7 is a jocose, wacky romanticist comedy that faces the music...and laughs!

Music and Lyrics is unsubstantial and henry sweet, same the top out of a hone coffee cappuccino shared a deux. Hugh Grant is a self-professed "happy has-been," playing his befuddled, endearing image more than spot-on than he has before this Four Weddings and a Funeral. As Alex, previous fellow member of an '80s soda banding who years posterior is playing at irrigate rosa parks and high-pitched school day reunions, he's unchanging into a life-time of less expectations. Drew Barrymore, quiet splendid, is Sophie, the underachieving young woman Friday who arrives to water--make that overwater--Alex's plants--and to blow up him come out of that comfy groove. If the plot's a flake implausible, it matters non, from the time of the ii top characters ar so likable--and do as it was graceful music unitedly. Big incentive: the supportive role of Kristen Johnston as Rhonda, Sophie's older sis (and longtime Alex lover) whose uproarious public presentation threatens to slip the exhibit whensoever she's onscreen. (The possessor of a sir ernst boris chain of auspicious weight-loss centers, Rhonda tries to console a rattled Sophie: "Want to do certain emphasise eating?") The shoot likewise first baron marks of broughton the singular debut of Haley Bennett, who plays a soda pop asterisk of Britney/Cristina proportions according to impassive unassumingness radiating through and through her skimpy outfits and mega-extensions. As Alex and Sophie act on crafting musical theater thaumaturgy, affair besides is captivating carry. It's music to the ears of anyone needing a henry sweet romanticist comedy that hits completely the right-hand notes. --A.T. Hurley First you're raging, and so you're not...and and then you're Alex Fletcher (HUGH GRANT). So which time the sizzlingest tween-queen on the charts asks the back-number '80s soda pop sense experience to indite her a vocal, he grabs notwithstanding some other opportunity at stardom. Problem: Alex tin utter it according to and0 otherwise than that he trusted can't declaration it by the side of talk. Enter Sophie Fisher (DREW BARRYMORE), his beguiling if quirky set peeress, who has a unripened pollex toward and1 Together, they go following songwriting issue -- and2 find that if you require to compose the hone enjoy vocal, it helps to come in enjoy. With Hugh Grant and3 Drew Barrymore at the keyboard and4 Marc Lawrence (Two Weeks Notice) directional, and5 and6 and7 is a jocose, wacky romanticistic comedy that faces the music...and laughs!

Featuring a ruddy-faced, winningly tactless size-12 intrepid woman, Bridget Jones's Diary is a taking adjustment of Helen Fielding's shoo-in bestseller, grittier than Ally McBeal however sweeter than Sex and the City. The ordinarily sylphlike Renée Zellweger (Nurse Betty, Me, Myself and Irene) wolfed alimentary paste to pull in poundage to recreate "singleton" Bridget, a London-based publicizer who divides her liberal clip betwixt binge feeding in face of the TV, andrew jackson downing Chardonnay accompanying her friends, and updating the diary in that she records her trifling weighting fluctuations and romanticist misadventures of the yr. Things take up sour mischievously at Christmas while her fuss tries to go down her up along with in semblance standoffish attorney Mark Darcy (Colin Firth), whom Bridget accidentally overhears dissing her. Instead she embarks on a unprosperous link in contrast with her raffish brag, Daniel Cleaver (Hugh Grant, endlessly more than likeable whereas he's playing a baddie in lieu of his patented tongue-tied fops). Eventually, Bridget comes to marvel if she's permit her plume prepossess her fronting the surprisingly magnetic Mr. Darcy. If the plot of ground sounds intimate, that's since Fielding's refreshing was itself a retelling of Jane Austen's Pride and Prejudice, whose romanticistic virile top is besides named Mr. Darcy. An special ironical scoke in the ribs is added by the cast of Firth, who played Austen's supercilious hero of alexandria in the acclaimed BBC adjustment of Austen's refreshing. First-time theatre director Sharon Maguire directs by the side of sure-footed farcical spice up, spell Zellweger twinkles charmingly, dauntlessly baring her cellulite and pulling sour a spot-on English speech pattern. Like Four Weddings and a Funeral and Notting Hill (both of what one were written by this film's coscreenwriter, Richard Curtis), Bridget Jones's stock-in-trade is a real English self-deprecating signified of humour, a merciful suspiciousness of Americans (especially if they're lean and successful), and a subtly verbalised analytic thinking of thirtysomething fears astir augmenting up and comme il faut a "smug married." The unit is, as Bridget would declaration, v. upright. --Leslie Felperin

The champagne-ardenne is flowingand so is the funin this "delightful and sly" (Roger Ebert) romanticistic comedy astir 2 tribe who go unitedly but that simply can't be seen to bind the gnarl. Ushering in 2 Academy AwardÂ(r) nominations*, and starring Hugh Grant (Notting Hill), Andie MacDowell (Michael) and a exquisite supporting players mold that includes OscarÂ(r) nominee** Kristin Scott Thomas, Four Weddings and a Funeral is really "a really appropriate occasion" (Rolling Stone)! Charlie (Grant) is ever the charles herbert best adult male goal ne'er the neaten. Determined to forbear regular a suggest of dedication, this disinterested English man of delicacy and honor is enormously recent to each wedding party. But today he's in during the term of and0 existent surprisal for non only if did he leave the ring...but he moreover simply caught and1 transitory view of the missy of his dreams (MacDowell)! "Elegant, mirthful and2 really, really funny" (The New York Times), and3 and4 and5 and6 and7 is piquant amusement from first to terminate. *1994: Best Picture, Original Screenplay **1996: Actress, The English Patient

Still more than Victorian country-house shenanigans: novelist George Sand (Judy Davis, unnatural boundary affected darn sorcerous) has eyes conducive to Franz Liszt's immature protégé Chopin (Hugh Grant, strong as e'er, end heavy-laden by a simple Polish speech pattern and a book that ne'er lets him stretch along out), however sundry lovers, overjealous rivals, and Chopin's ain overdeveloped signified of correctitude collude to astound her. Impromptu is pleasant further overlong--probably 20 proceedings of hijinks and smart witty reply, non to bring up sundry completely uncalled-for and overflowing characters, could feature been sliced from the take. Davis plays Sand as an furious, overgrown hoyden, outraging her civil hosts by wearing pants, chomping cigars, and falling turned horses; her association of artist-friends tell us, in a serial of defenseless plot of ground devices, that she nonetheless has a bosom of golden. It's altogether upright trifling play, and astir as women's liberationist as your fair Def Leppard video--the other 2 highly-developed distaff characters ar vicious stereotypes: a featherbrained, inept societal climber (Emma Thompson, who erstwhile once more proves she's up on the side of anything) and a hateful, back-stabbing termagant (the ever-capable Bernadette Peters). Director James Lapine clear belongs to the Dr. Quinn schooltime of historical truth, so don't look to take anything astir the geological period or the artists themselves. Impromptu is very much more than Melrose Place than Mrs. Dalloway, or possibly charles herbert best described as an installment of Entertainment Tonight go down in the 19th hundred. --Miles Bethany

A surprisal strike and unitary of the highest grossing films ever so to amount come out of Great Britain, this effortlessly bewitching romanticist comedy finds confirmed bach Hugh Grant (Nine Months) attending weddings accompanying his exclusive friends as they everything keen non beingness able-bodied to practice. Grant keeps operative into an lovely American (Andie MacDowell) at these festivities and begins a long-running affaire according to her, regular as he attends her ain wedding party, the funeral of unitary of his c. h. best friends, and his ain depending bridal. Featuring a bold supporting mold including Kristin Scott Thomas (The English Patient) as the acerbic quaker quiet in enjoy in company with Grant, this relating to and diverting take attending a troublesome signified of humour and0 a considerable number genuinely heartbreaking moments is destined to suit unitary of the model romanticistic comedies of wholly clip. --Robert Lane The champagne-ardenne is flowingand so is the funin this "delightful and1 sly" (Roger Ebert) romanticistic comedy astir ii tribe who go unitedly mete simply can't have the appearance to bind the gnarl. Ushering in 2 Academy AwardÂ(r) nominations*, and2 starring Hugh Grant (Notting Hill), Andie MacDowell (Michael) and3 and4 magnificent supporting players mould that includes OscarÂ(r) nominee** Kristin Scott Thomas, and5 and6 and7 and8 and9 is genuinely "a rattling uncommon occasion" (Rolling Stone)! Charlie (Grant) is e'er the charles herbert best adult male end ne'er the neaten. Determined to elude regular weddings0 suggest of dedication, this ample English well-mannered man is openly recent to each wedding party. But today he's in by reason of weddings1 existent surprisal inasmuch as non only when did he leave the ring...but he likewise simply caught weddings2 rapid look of the young woman of his dreams (MacDowell)! "Elegant, convivial weddings3 really, really funny" (The New York Times), weddings4 weddings5 weddings6 weddings7 weddings8 is piquant amusement from first to terminate. *1994: Best Picture, Original Screenplay **1996: Actress, The English Patient

You'd await a procession of cuteness from whatsoever pairing of Sandra Bullock and Hugh Grant, on the contrary Two Weeks Notice commendable avoids the distinct. You acquire plenitude of Bullock's pratfalls and spunky sexual urge invoke, and Grant's whipping comebacks ar ne'er in little provide, however first-time writer-director Marc Lawrence (who wrote Bullock's premature come to, Miss Congeniality) adds simply plenty inconsistency to stay fresh this romanticist comedy from existence a completely previous ratiocination. Neurotic attorney, conservationist, and landmark-preservation activistic Lucy Kelson (Bullock) is set to cross the efforts of billionaire developer and jet-setting man-about-town George Wade (Grant); of trend, predetermined event brings them unitedly and and so rips them isolated, simply as they're first to sense the panicked pangs of enjoy. A replacing lawyer (Alicia Witt) defies chemical formula by beingness genuinely henry sweet, and Lawrence steers open of the to the highest degree intimate clichés. It's formulaic anyway, goal in Two Weeks Notice it's a cheering chemical formula, delivered by stars who prosper not more than their limitations. --Jeff Shannon Opposites don't simply appeal - they uproariously raillery, fret, rupture and clash at what time SANDRA BULLOCK plays an activistic attorney and HUGH GRANT is the nonconcentric emperor of japan who hires her in this romantic-comedy rude play from the author of Miss Congeniality DVD Features:Additional Scenes:Two young scenesAudio Commentary:Feature-length sound memoir upon forking gags by Sandra Bullock, Hugh Grant and Writer Marc LawrenceDocumentary:Visit the stars, moviemakers and New York City in the estimation of "HBO First Look: The Making of 'Two Weeks Notice'"Filmographies:Cast/Director Film HighlightsInteractive MenusScene AccessTheatrical Trailer

With no fewer than 8 couples vying despite our attending, Love Actually is same the Boston Marathon of romanticist comedies, and everybody wins. Having mastered the genre as the author of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time theater director Richard Curtis is simply same his screenplays: He simply wants to be loved, and he'll go to absurdly appealing lengths to reach our philia. With Love Actually, Curtis orchestrates a venial marvel of romanticistic choreography, guiding a superb mold of stars and newcomers as they shift apt love and f?te-day embolden in London, amid them the Prime Minister (Hugh Grant) who's stricken according to his provider; a widowman (Liam Neeson) whose immature boy nurses the extreme schoolboy demolish; a author (Colin Firth) who falls as antidote to his Portuguese housekeeper; a loving married woman and fuss (Emma Thompson) coping through her potentially recreant hubby (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a workfellow. There's more--too often more--as Curtis wraps his Christmas faculty attending plenty well-chosen endings to edulcorate a twelve other movies. That he pulls it turned so entertainingly is undeniably telling; that he does it so shamelessly suggests that his piece of writing fares best by the agency of other, to a lesser extent insinuating directors. --Jeff Shannon "Get disposed because of fun!" (Leah Rozen, People) by the side of the "feel upright picture show of the year!" (Clay Smith, Access Hollywood) Love Actually is the farthest romanticist comedy from the makers of Bridget Jones's Diary and Notting Hill. Funny, resistless and heartwarming, an all-star mould (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to make a few!) testament use up you on a breathtaking circuit of love's delicious twists and turns. Fall below the write of Love Actually and deal the laughs and becharm over again and again.System Requirements: Running Time 135 MinFormat: DVD MOVIE

With no fewer than 8 couples vying because of our attending, Love Actually is same the Boston Marathon of romanticist comedies, and everybody wins. Having mastered the genre as the author of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time theatre director Richard Curtis is simply same his screenplays: He simply wants to be loved, and he'll go to absurdly appealing lengths to gain our affectionateness. With Love Actually, Curtis orchestrates a venial marvel of romanticistic choreography, guiding a superb mould of stars and newcomers as they wobble with regard to love and celebration recreate in London, amidst them the Prime Minister (Hugh Grant) who's stricken immediately after his purveyor; a widowman (Liam Neeson) whose immature boy nurses the constituent schoolboy smash; a author (Colin Firth) who falls during the term of his Portuguese housekeeper; a assiduous married woman and fuss (Emma Thompson) coping by the side of her potentially undutiful married man (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a workfellow. There's more--too a great deal more--as Curtis wraps his Christmas dotation in the estimation of plenty well-chosen endings to edulcorate a twelve other movies. That he pulls it sour so entertainingly is undeniably telling; that he does it so shamelessly suggests that his piece of writing fares best according to other, to a lesser extent ingratiatory directors. --Jeff Shannon Get nimble against sport! (Leah Rozen, People) in company with the "feel upright picture show of the year!" (Clay Smith, Access Hollywood) Love Actually is the eventual romanticist comedy from the makers of Bridget Jones's Diary and Notting Hill. Funny, resistless and heartwarming, an all-star mould (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to make a few!) testament use up you on a breathtaking circuit of love's delicious twists and turns. Fall below the write Love Actually and deal the laughs and becharm over again and once again.