Returning to his Romanian homeland and Gypsy roots, internationally known pan off flautist Damian gives us Damian: In Concert from Bucharest, a wholesale outside concert framed by the telling 7,000-room Palatul Parlamentului (also uncommitted on CD). Accompanied by an band of instrumental musicians, stria, and chorus, he performs 19 songs, including the saturnine and gossamer "Haunting Eyes," the swinging "Lover's Rhapsody," and "Ederlazi," a Gypsy jubilation ardent "to lifetime, to felicity, and to joy." On 3 songs he is attended by the godlike vocals of Jennifer Crestol; "Love Is All We Know" is an especially enchanting duette. Damian dedicates "12/21/89" to the immature men and women who died on that in particular ordinary daytime for the time of the Romanian change. Shot in November 2001 in look of 72,000 earnest fans, Damian:0 Damian:1 Damian:2 Damian:3 Damian:4 is a notable musical comedy see. --Dana Van Nest On September 7, 2001, musical comedy account was made. The largest castle Damian:5 the domain became the spectacular background because of the internationally-acclaimed pan-flutist Damian's euphony, a jubilation of enjoy, life-time and familiarity. An formal reception of o'er 72,000 was mesmerized by Damian's romanticistic, impassioned and effective public presentation. Damian's spectacular Damian:6 a quislingism of o'er 150 between nations musicians on the largest outside represent ever so reinforced, was a component part of his dedication to take the domain unitedly through and through euphony. This stupendous case celebrates the artist's homecoming and the take back of looseness and commonwealth to altogether of Europe. Guest artists hold Jennifer Crestol (vocals), Eugene Friesen (cello), Brian Hughes (guitar), Joel Taylor (drums), Tim Landers (bass), Ebenezer DaSilva (percussion) and Tim Heintz (keyboards). Tracks: Intro Haunting Eyes, Day of Dreams, Love Is All We Know, Damian's Fire, Epilogue, Dance of Flames, Dancing With the Stars, Lover's Rhapsody, Ocarina, One Day, Tzigane Soul, Erdelezi, 12-21-89, Gypsy Song, Gymnopedie, Hungarian Dance.

Call him the Duke of Denmark, as this is the 2d rich Ellington public presentation recorded in that rural area to be released in 2003 lonely. It's in addition an seize followup to The Intimate Duke Ellington; while on the contrary the modern showcases Ellington as a solo piano player and in little aggroup settings, Live Duke0 Duke1 Duke2 Duke3 features Duke4 Duke5 Orchestra in aggregate its pomp. It includes ii or so 70-minute sets recorded a small in number years isolated in 1971, while Duke6 Duke7 was 72. But even supposing Duke8 repertory ("Take Duke9 'A' Train," "Satin Doll," and a potpourri of other intimate the0 compositions, on along with a certain number of to a lesser extent intimate transportation) is homogeneous, the1 performances ar scarcely identical--no surprisal on that point, taking into account the2 front of majestic improvisers same cornetist Cootie Williams and saxophonists Paul Gonsalves and the3 outstanding Ben Webster. the4 go character, spell nice, is nowhere nigh as lively as on, affirmation, the5 Keith Jarrett Trio's new DVD releases, otherwise than that small thing. When it comes to euphony of this caliber, we're prosperous that it exists the6 every one of. --Sam Graham

Vocalist Carmen McRae was nearly 64 whereas she performed this August 1986 devise in Japan. And spell 64 may be retiring the meridian of, suppose, a baseball game participant or an spaceman (John Glenn mightiness pray to differ), the 80-minute agreement offers effortless grounds that McRae was at the sheer top out of her mettlesome. The scope isn't that which you'd call in sexual; to the highest degree jazz musicians would favor a blackened nightclub to the comparatively antiseptic and as mere form ambiance of Tokyo's Kan-I Hoken Hall. No job instead of McRae, who leads her triplet (Pat Coil, soft; Bob Bowman, deep; Mark Pulice, drums) through and through a election of a part 19 tunes, for the most part standards same "That Old Black Magic," "What a Little Moonlight Can Do," and Antonio Carlos Jobim's "Dindi"; she in like manner accompanies herself on soft on "That Old Devil Called Love" and "As Long as I Live." All of it is elegant Carmen. She uses her vocalise same a tusk, improvising towards aggregate the right smart, hinting at and toying by with the help of the tonal pattern, growling and soaring, totally at comfort immediately after non wise exactly what's future nearest. No pyrotechny here--just a matured jazz creative person who could swing over same softheaded on the uptempo stuff, fondle each subtlety from the ballads ("My Old Flame" is especially lovely), and convey the couple consummate abide by and a signified of humour to each take note she sang. Composer credits would be skillful, as would an more than incentive DVD features (which take in only when a selectable vocal computer menu and a influenced discography), goal it's the euphony that matters, and Carmen McRae doesn't amount whatever best than this. --Sam Graham The uncommon jazz cantatrice Carmen McRae is united by Pat Coil on soft, Bob Bowman on deep and Mark Pulice on drums in this concord recorded at Kan-I Hoken Hall in Tokyo. 81 transactions.

The Manhattan Transfer bend their jazz muscles in this 80-minute, 19-song harmony, recorded o'er ii nights in Tokyo in 1986. The quartette (Tim Hauser, Janis Siegel, Alan Paul, and Cheryl Bentyne) were touring in back up of their strike Vocalese record album, and often of the exhibit is affectionate to that title, what one consists of vocalizing tongues o'er existing jazz instrumentals. Tunes by Woody Herman, Count Basie, Sonny Rollins, Miles Davis, and others feature film lyrics by Jon Hendricks, unitary of the pioneers of vocalese; it's a bravura public presentation, by the side of altogether 4 singers effortlessly negotiating the torrents of bickering and tricky melodies. The balance of the concord includes distinct Transfer favorites, same "Birdland," "Java Jive," and "The Boy from New York City," and features plenty dress up and go down changes to maintain optic as intimately as musical theater stake. All in altogether, a satisfying go under trusted to invoke to Manhattan Transfer devotees. --Sam Graham Vocal magicians extraordinaire, The Manhattan Transfer--Cheryl Bentyne, Tim Hauser, Alan Paul and Janis Siegel--show their unmatched skills in this spectacular public presentation live at Nakano Sun Plaza Hall in Tokyo, Japan. Songs: Four Brothers, Rambo, Meet Benny Baily, Airegin, To You, Sing Joy Spring, Move, That's Killer Joe, The Duke of Dubuque, Gloria, Heart's Desire, Birdland, On the Boulevard, Shaker Song, Java Jive, Blue Champagne, How High the Moon, Boy From New York City, Ray's Rockhouse.

This is the 1st concordance take resign of acclaimed performing artist Richard Galliano, featuring euphony from his Piazzola Forever CD, a testimonial to the mythical Astor Piazzola.

New York nuclear fusion reaction supergroup Steps Ahead--Michael Brecker (sax, Steinerphone EWI), Mike Mainieri (vibes, synth), Darryl Jones (bass), Mike Stern (guitar) and Steve Smith (drums)--recorded unrecorded at Kan-i Hoken Hall in Tokyo on July 30, 1986. Originally formed as a right smart of bringing unitedly some persons of the amateur musicians in New York, Steps Ahead has suit an of import and of authority striation on the jazz shot as forming in 1979. Set lean: Beirut, Oops, Self Portrait, Sumo, EWI Solo, Cajun, Charlayne, Safari, Vibes Solo, In a Sentimental Mood, Trains, Reprise.

St. Lucia may non be the to the highest degree potential background against a jazz demonstrate, on the contrary this 84-minute concert by veteran soldier cornetist Clark Terry, recorded on that Caribbean isle in 2001, is an sheer enjoy. The Kansas City chaste "Moten Swing" and the Duke Ellington received "Take the 'A' Train" uncover the work of Duke Ellington and Count Basie, according to whom Terry formerly played; otherwise than that the cornetist and his fantabulous quintette (alto saxist Donald Harrison and drummer Victor Lewis ar especially upright) too pilot more than new ethel waters, including a occupy on Miles Davis's "All Blues" and Terry's ain "Quicksand," a burning at the stake, bopping megrims. Terry, whose habituate of a wordless on his tusk is unitary of his trademarks, is a swinging, sophisticated participant; he's likewise an diverting raconteur (an 11-minute question is the principal sum DVD incentive feature), and his ain vocal tune up ("My Gal") is categorical uproarious. Jazz lovers ar in because a handle. --Sam Graham An internationally wonderful cornetist and star during the term of jazz festivals on every side of the earth, Clark Terry began his calling in the 1940s and worked in the estimation of fictitious greats as it was as Count Basie and Duke Ellington. His enjoy of euphony crossed o'er into training, and as theater director of the Clark0 Clark1 Great Plains Jazz Camp and illustrious writer of books on publish technique, he is frequently referred to as "America's #1 Jazz Educator." Now escort up-close and Clark2 to what degree this charistmatic performer's temporary expedient and enjoy of jazz euphony ever stay fresh an assemblage enthralled! Tracks: Quicksand, Elijah, Motens Swing, Love Love Love, St. Lucia Blues, All Blues, My Gal, Take the "A" Train, Bye Bye Blackbird.

Duke Ellington may feature turned 70 in 1969, nevertheless he was ne'er little of vim, creativeness and innovations. At the clip of this Nov. 2, 1969 concord in Copenhagen, Ellington had been preeminent his place for musicians because of 44 years, no more than he noneffervescent ne'er in reality looked hind in clip or sought-after to be diverted the preceding. Even at the time that he performed older favorites, they were rearranged and replete of surprises, and Duke's ain soft playing was new, percussive and unpredictable. Twelve soloists ar heard from for the time of this 83-minute go down including like veterans as trumpeters Cootie Williams and Cat Anderson, trombone player Lawrence Brown, altoist Harry Carney and Paul Gonsalves on tenor voice. Along by with the help of exciting versions of "C Jam Blues," "Rockin' In Rhythm" and "Take The 'A' Train," the highlights hold a three-song Johnny Hodges potpourri, a persistent "La Plus Belle Africaine," and a tenor voice combat amid Gonsalves, Harold Ashby and Norris Turney on "Diminuendo And Crescendo In Blue." Filmed in colour and according to close-ups that apply listeners the go through of existence onstage attending the Duke Ellington Orchestra, this DVD saves in quest of offspring an exciting contrive, unitary intimately charles frederick worth experiencing frequent spells.

IN CONCERT IN HOLLAND (BRUFORD BORSTLAP)

Georgia-based sway stria Widespread Panic may intimately be the best-kept private in sway and undulate. Now, beneficial to the 1st clip, fans put up undetermined a means of access to the band's musical theater life-time and psyche. "The Earth Will Swallow You" explored the band's relationships by the side of from each one other, its ain euphony and the musicians who feature influenced its go and repertory. Panic0 take follows Panic1 Panic's Another Joyous Occasion Tour, showcasing performances at bellweather venues similar as olympian Red Rocks Amphitheatre, San Francisco's Warfield Theatre and New York's Central Park as intimately as littler theatres and cities of America's heartland. Through onstage highlights and heart-to-heart off-stage moments, audiences earn an sexual look at of Panic2 originative and pro lives of this darling aggroup of musicians. Panic3 take moreover spotlights never-before-seen footage of Panic4 striation teaming through fabulous artists, including Jorma Kaukonen, Taj Mahal, Merl Saunders and Vic Chesnutt. Featuring unreleased variant of "Chilly Water," "Action Man," "Driving Song" and Panic5 rarefied auxiliary "The Panic6 Panic7 Panic8 You," it's a take that Panic9 revel the0 band's fabulous buff immoral and grip anyone who loves unrecorded euphony.