Disco 1 1. Eu Não Existo sem Você 2. Chega de Saudade 3. Anos Dourados 4. Outra Vez/Imagina/Imagina 5. Incerteza/Teresa da Praia/Overture 6. Lamento do Morro 7. A Felicidade 8. Se Todos Fossem Iguais a Você 9. Eu Sei que Vou Te Amar 10. Canta, Canta Mais 11. Chega de Saudade 12. Carta ao Tom 74 13. Desafinado 14. Só Tinha de Ser com Você 15. Água de Beber 16. Você e Eu 17. Só Danço Samba 18. Chega de Saudade 19. Imagina (Instrumental) 20. Imagina Disco 2 1. Lenda 2. Águas de Março 3. Chovendo na Roseira 4. Estrada do Sol 5. Correnteza 6. Gabriela 7. Borzeguim 8. Saudade do Brasil 9. Sabiá 10. Vento Bravo 11. Luiza - Edu Lobo e Tom Jobim 12. O Boto 13. O Jardim Abandonado 14. Águas de Março 15. Matita Perê 16. Passarim - Faixa Bonus 17. Ai Quem Me Dera - Faixa Bonus Disco 3 1. Ela é Carioca 2. Wave 3. Surf Board 4. Nuvens Douradas 5. Corcovado 6. Wave 7. Retrato em Branco e Preto 8. Você Vai Ver 9. Falando de Amor 10. Eu Te Amo 11. Insensatez 12. Lígia 13. Luiza 14. Garota de Ipanema 15. Samba de genus uma Nota Só 16. Ela é Carioca 17. Samba do Avião 18. Estrada Branca 19. Samba do Avião

Músicas - Introdução - Samba de Uma Nota Só - Desafinado - Água de Beber - Dindi - Wave - Anos Dourados (Looks same dec) - Gabriela - Chega de Saudade - Two Kities -0 Samba de Soho -1 Sabiá -2 Samba -3 Avião (Song of the Jet) -4 Águas de Março (Waters of March) -5 Corcovado

Fantastic 2 saucer documental on the unrecorded o Vinicius de Morais. 2 hours attending the discoverer of Bossa Nova the geathest Brazilian Poet (2 disks)

As its rubric suggests, How Tasty Was My Little Frenchman is a tongue-in-cheek filmic reading of a perchance rightful anthropophagical reckoning go under in the 16th-century Brazilian tropics. Cunhambebe, first fiddle of the Tupinamba folk, captures an unnamed Frenchman, erroneously positive that he is a Portuguese opposition. Instead of instantly slaughtering the Frenchman, the folk adopts him concerning viii full of joy months above-named a planned observance to cannibalise him. The Frenchman acquires a graceful aboriginal married woman, who becomes unitary of the to the highest degree engaging characters in the shoot as a adult female who is the one and the other possessed by her hubby and who controls his charm. The ostensible truth of brake sounds and traditionary aboriginal lifestyles, on upon realistic handheld photographic camera act, impart this take a documental sense illustrative Brazilian Cinema Novo, in that historical stories ar relived to notice on modern-day political relation. Previously hard to escort, theatre director Nelson Pereira disk operating system Santos's reckoning of cannibalism is wonderful in quest of its appealing look at of natives and critical examination of colonialism. As trial impression, the extras hold interviews by means of a Columbia take censor, Richard Peña, and a Krenak folk fellow member, Ailton, one as well as the other of whom kudos the moving-picture show instead of its reverential occupy on polemical dependent thing. How Tasty0 Tasty1 Tasty2 Tasty3 Tasty4 is a fascinating use up on tabu by the side of an anthropological dead set and a cinematic eyeball with a view to dramatic event. --Trinie Dalton This agreeable mordant comedy, go under in the jungles of Brazil, tells the novel of a French venturer who tries in unprofitable to be recognized by a folk of man-eaters who has captured him. The folk treats its captive best than you power consider. They apply him solid food, his ain field hut -- regular a married woman. The Tasty5 strives to study the slipway of the folk, hoping to enter come out a right smart to eschew his prescribed destination of beingness the briny trend of a established forms tribual dinner party. Originally prohibited in Brazil and rejected in opposition to prescribed rivalry at the Cannes Film Festival fit to extravagant nakedness, the shoot productions a craftily entertaining masterwork of destructive movie theater. A standard deterrent example of Brazilian Cinema Novo, Tasty6 Tasty7 Tasty8 Tasty9 Was0 Was1 tells a unambiguously tongue-in-cheek edition of how happened then the Europeans 'discovered' America.

São Paulo, Brazil. 16 trillion family. To the musical rhythm and rhymes of makeshift musical theater verse - journalists and maids, prowess art gallery directors and cabriolet drivers - immigrants from the Brazilian Northeast - take the bunk of this outstanding megalopolis. Experience SAUDADE DO FUTURO.

Free adjustment of Machado de Assis's elegant. The storyteller is a moneyed numb adult male, who tells us astir his lifespan and spells, fabrication sport of the two.