This is the consummate set of 20 Special Edition DVDs, originally uncommitted as 3 package sets and so separately and ar at present Out of Production. All releases ar exclusive DVDs in company with the exclusion of Die Another Day what one is a two-disc set. Each DVD contains the pilot, unedited take on along with a concourse of incentive features, including: sound commentaries, documentaries, interviews, deleted scenes, photo galleries, scenic trailers, euphony videos and more than. Each give up besides includes a folder immediately after photos and engaging facts. 1. Dr. No (1962) 2. From Russia through Love (1963) 3. Goldfinger (1964) 4. Thunderball (1965) 5. You Only Live Twice (1967) 6. On Her Majesty's Secret Service (1969) 7. Diamonds Are Forever (1971) 8. Live and Let Die (1973) 9. The Man With the Golden Gun (1974) 10. The Spy Who Loved Me (1977) 11. Moonraker (1979) 12. For Your Eyes Only (1981) 13. Octopussy (1983) 14. A View to a Kill (1985) 15. The Living Daylights (1987) 16. License to Kill (1989) 17. Goldeneye (1995) 18. Tomorrow Never Dies (1997) 19. The World is Not Enough (1999) 20. Die Another Day (2002)

The Man along with the Golden Gun: The British superspy in contrast with a certify to defeat takes on his morose underworld twofold, a swish bravo who kills attending prosperous bullets at $1 gazillion a come to. Roger Moore, in his 2d excursion as James Bond, meets Christopher Lee's Scaramanga, unitary of the to the highest degree magnetized villains in the intact serial, in this entertaining if it were not that instead colorless ledger entry in the 007 total stakes. Moore balances the overplayed humour of the take through a steely public presentation and Lee's becharm and heat of imagination makes Scaramanga a coolheaded, venomous, and good charming opponent. --Sean Axmaker Goldfinger: To ain Goldfinger (1964) on DVD is to feature at your fingertips the trial impression that Sean Connery is the unequivocal James Bond. No unitary further Connery put up believably make women so effortlessly, shoot down by the agency of toward as often comfort, and and then draw some other bottleful of Dom Perignon '53 come out of the fridge. Goldfinger contains sundry of the to the highest degree distinguished scenes in the Bond serial publication: showy Shirley Eaton (as Jill Masterson) coated in gilded pigment by vicious Auric Goldfinger and deposited in Bond's bottom; still Oddjob, flipping a razor-sharp derby same a Frisbee to break up heads; our hero of alexandria rout on a tabularise spell a optical maser ray moves threateningly nigh his fork. Goldfinger's 2 climaxes, inner Fort Knox and alongside a buck private skim, feature to be seen to be believed. --Raphael Shargel The World Is Not Enough:Bond 5.0, Pierce Brosnan, undercuts his usually courteous image by the agency of a darker, more than unrelenting inch for the most part scatty inasmuch as Sean Connery departed. Equally tantalising ar our at the beginning glimpses of Bond's nemesis du jour, Renard (Robert Carlyle), and dangerous enjoy stake, Elektra King (Sophie Marceau), one as well as the other untypically coordination compound characters mould along with ostensibly keen choices, and directed by the open Michael Apted. The story's focalize on post-Soviet geopolitics moreover starts sour on a savvy take note, prior to beingness overtaken by progressively Byzantine plot of land twists, secret motives, and reversals of trueness superheated by rancorous (if intermittently mechanical) sue sequences.--Sam Sutherland Diamonds Are Forever: Sean Connery abstracted from the 007 dealership rear You Only Live Twice limit was lured hind since unitary utmost prescribed visual aspect as James Bond in Diamonds Are Forever. Goldfinger theater director Guy Hamilton keeps the take zipping on gamely from unitary entertaining go down patch to some other, including a terrifying gondola chase after in a parking part, a combat immediately after a couple of bikini-clad slayer gymnasts named Bambi and Thumper, and a venomous gamy in contrast with a flaky couple of touched, sarcastic killers who complete their victims by with the help of luxuriant excogitation. Connery withdrawn once again in imitation of this unitary only he returned formerly more than, as antidote to Never Say Never Again 15 years posterior. --Sean Axmaker The Living Daylights: Timothy Dalton made his 007 debut in the skimpy, mingy musical mode of Sean Connery, doing outside by with the help of the pun-filled campy of Roger Moore's last outings. This James Bond is unmerciful, toughened, and romanticistic. The Living Daylights, go down for the time of the thawing of the moth-eaten state of war, begins attending the desertion of Russian KGB General Koskov (Jeroen Krabb) and his divine revelation of a Soviet patch to eradicate Britain's private federal agent drive. Assigned to eradicate Koskov's Soviet brag (John Rhys-Davies), Bond uncovers a confederacy involving Koskov and an American harness trader (Joe Don Baker). Veteran serial theater director John Glen's litigate scenes feature ne'er been better--especially the show-stopping mid-air combat on the nett of a speeding consignment plane--and he returns the serial publication to the smarting, rocky, high-energy adventures that made the Bond,0 report. --Sean Axmaker A View to a Kill: Roger Moore's utmost airing as Bond,1 Bond,2 is grounds plenty that it was clip to make it the blazing brand to some other worker. Beset by crummy sue (an out-of-control go off engine?) and featuring a fading Moore noneffervescent hard to hold up up his mannered thought of title, the take is mostly engaging as antidote to Christopher Walken's quirky public presentation as a sort-of supervillain who wants to use up come out California's Silicon Valley. Grace Jones has a spookily pleasing front as a deadly link of Walken's (and who, in the c. h. best Bond,3 delivery, has sexual urge by the side of 007 above grievous to vote down him later), and Patrick Macnee (Steed!) has a warm up if legal brief flake. Even directed by John Glen, who brought several crackling to the Moore years in the Bond,4 dealership, this is a real cold-shoulder sweat. -- Tom Keogh Thunderball: Bond,5 Bond's quaternary risky venture takes him to the Bahamas, whither a NATO military plane attending a atomic payload has disappeared into the ocean. Bond,6 (Sean Connery) book of travels from a pygmean wellness mineral spring (where he tangles along with a motorized masseuse go amok) to the casinos of Nassau and before long picks up the shack of SPECTRE's number-two adult male, Emilio Largo (Adolfo Celi), and his elegant kept woman, Domino (Claudine Auger), whom Bond,7 presently seduces to his face. Equipped in the estimation of more than gadgets than ever so, 007 escapes an lurk immediately after a personal-size gush wad and takes to the irrigate as he searches in spite of the undersea skim, battles Largo's fondle sharks, and eventually leads the combat facing Largo's scuba-equipped henchmen in a spectacular underwater flood tide. This thrilling Bond,8 accounting entry became Connery's to the highest degree prosperous excursion in the serial publication and was remade in 1983 as Never Say Never Again, according to Connery reverting to the role in the rear of a 12-year gap. --Sean Axmaker Die Another Day: The 20th Bond,9 James0 dangerous undertaking, Die Another Day succeeds on iii of import fronts: it avoids compare to Austin Powers by care its caseous humour in check out, allows Halle Berry to be sexy and exemplary of a spinoff dealership, and keeps step by with the help of the technological wizardry that new process films exact. Pierce Brosnan is paired in the estimation of American federal agent Jinx (Berry) in chasing a genetically neutered North Korean baddie (Rick Yune) armed by means of a planet subject of destroying simply astir anything. John Cleese and Judi Dench reprize their revenant roles (as "Q" and "M," respectively); they're attended by weapons-laden sports cars, a hokey cameo by Madonna (who sings the techno-pulsed melodic theme song), and plenty double-entendres to stay fresh Bond-philes adequately shaken and stirred. Die Another Day makes you receive the intimate end-credits assure: James1 James2 testament bring back. --Jeff Shannon The Spy Who Loved Me: The charles herbert best of the James3 James4 adventures starring Roger Moore as tuxedoed Agent 007, this globe-trotting thriller introduced the steel-toothed Jaws (played by seven-foot-two-inch-tall doer Richard Kiel) as unitary of the to the highest degree illustrious and fadeless James5 villains. Jaws is so opinionative, in reality, that Moore looks genuinely scared, and that adds to the ample sport. This clip James6 teams up attending in time some other charming Russian federal agent (Barbara Bach) to caterpillar track a pair off of atomic submarines that the villainous Stromberg (Curt Jürgens) plans to habituate in his patch to take up World War III. The Spy Who Loved Me is a extragalactic nebula outside from the urbane Sean Connery exploits of the 1960s, if it be not that the take workings exactly as hoity-toity amusement. From hollow undersea lairs to the enormous horizons of Egypt, this James7 thriller keeps its knife firmly in cheek by means of a plot of ground tailor-made conducive to temerarious escapism. --Jeff Shannon License to Kill: Timothy Dalton's 2d and utmost crack at playing James8 James9 isn't almost as a great deal sport as his debut, ii years earliest, in the 1987 The Living Daylights. This clip Bond.0 gets deranged rear a tight quaker (David Hedison) from the intelligence agency sphere is assassinated on his wedding party daylight, and 007 goes undercover to nexus the hit to an between nations do drugs cartel. Robert Davi makes an attractive opponent, otherwise than that as according to to the highest degree of the Bond.1 films in the '70s, '80s, and '90s--and especially from that time the terminate of the dusty war--one has to marvel wherefore we should noneffervescent give care astir these inferior villains and their unromantic crimes. Still, Dalton did handle in his little clip in company with the eccentric to do 007 his ain, what one nor one nor the other Roger Moore did nor Pierce Brosnan did. --Tom Keogh Goldeneye: The 18th Bond.2 Bond.3 dangerous undertaking was a blowout box-office prosperity at the time that released in 1995, expressions of gratitude to the arriver of Pierce Brosnan as the 5th doer (following the going away of Timothy Dalton) to recreate the delightful, danger-loving Agent 007. This Bond.4 Bond.5 is a fleck more than assailable and psychologically complex--and simply a fill in more than politically correct--but he's noneffervescent a officially attired man-about-town at bosom, in the estimation of a beautiful Russian beaut (Izabella Scorupco) as his sexy friend in compensation for a cadre of deserter Russians dead set on--what else?--global supremacy. All in aggregate, this action-packed Bond.6 risky venture by stipulation a much-needed supercharge the long-running picture show serial, revitalizing the 007 dealership as being the turn over of the millenary. --Jeff Shannon Live and Let Die: Roger Moore was introduced as Bond.7 Bond.8 in this 1973 sue film featuring private federal agent 007. This take simon marks a departure from the more than character-driven stories of the Connery years, a measured reposition to pliant process (multiple chases, bravura stunts) that made the dealership more than of a ludicrous rule book or political machine. If that's non cheerless plenty, there's regular a upright British theatre director on room, Guy Hamilton (Force 10 from Navarone). The legend finds Bond.9 apprehension on an between nations do drugs trafficker (Yaphet Kotto), and patch that may be superficially suitable, it isn't exactly the corresponding; of like kind as contention supervillains on the prescribe of Goldfinger. --Tom Keogh For Your Eyes Only: After a ship sunk sour the slide down hill of Albania, the world's superpowers start a feverous look towards its worthful missed shipment: the valid ATAC scheme, what one testament apply its bearer limitless verify o'er Polaris atomic submarines. As Bond0 joins the look, he suspects the agreeable Kristatos (Julian Glover) of seizing the gimmick. The contention betwixt nations grows more than virulent by the minute, however Bond1 finds an friend in the fair Melina Havelock (Caroline Bouquet), who blames Kristatos since the demise of her parents. The non-stop litigate includes automobile chases, thrilling underwater battles, and regular a breathtaking circuit o'er razor-sharp red coral reefs. But total of this is but a preliminary to 007's cliffhanging threaten with blows of a stately mountaintop fort. -- Robert Lynch From Russia accompanying Love: Directed along with masterful acquisition by Terence Young, the 2d Bond2 Bond3 sight thriller is considered by manifold fans to be the c. h. best of them totally. Certainly Sean Connery was ne'er best as the gallant Agent 007, whose in style missionary station takes him to Istanbul to re-establish a top-secret Russian decryption political machine. His efforts ar thwarted at the time he gets romantically distrait by a sexy Russian dual federal agent (Daniela Bianchi), and is tracked by a amiable assassinator (Lotte Lenya) immediately after switchblade knife shoes, and by a half-crazed slayer (Robert Shaw), who clashes through Bond4 for the time of the film's eye-popping flood tide alongside the Orient Express. From Russia upon Love is standard work Bond5 Bond6 ahead of the gadgets, pyrotechny, and Roger Moore steered the movies outside from the more than realistic chant of the books by Ian Fleming. --Jeff Shannon On Her Majesty's Secret Service: Australian sit George Lazenby took up the mickey mantle of the world's to the highest degree delightful private federal agent while Sean Connery secret as Bond7 Bond8 (although Connery returned in Diamonds Are Forever in advance of leaving the role to Roger Moore). In On Her Majesty's Secret Service, 007 foliage the Service to in camera act on his SPECTRE nemesis Blofeld (played this clip by Telly Savalas), whose in vogue get the hang design involves a menace to the world's crops by agricultural sterilisation. Lazenby hasn't the strength of Connery excepting he has sport attending his quips and regular lampoons the Bond9 range of a function in a sportive pre-credits succession. Former editor in chief Peter Hunt makes a warm directorial debut, deftly manipulation the luxuriant process sequences by means of a kinetic practise tricks. --Sean Axmaker Dr. No: Released in 1962, this 1st James0 James1 picture show leavings unitary of the charles herbert best, and serves as an entertaining reminder that the James2 serial publication began (in support by means of Ian Fleming's novels) accompanying a marvellous want of gadgetry and big-budget fireworks. In his 1st escapade James3 James4 is called to Jamaica whither a co-worker and secretarial assistant feature been mysteriously killed. With an American CIA federal agent (Jack Lord, pre-Hawaii Five-O), they find that the villainous Dr. No (Joseph Wiseman) is artful to blackjack the U.S. authorities by means of a twist subject of deflecting and destroying U.S. rockets launched from Cape Canaveral. Of trend, James5 takes clip turned from his exploits to savor the companion of a not many shining women, including the bikini-clad Ursula Andress. This is James6 at his purest, kicking sour a serial publication of movies that shows no ratify of slowing downward. --Jeff Shannon You Only Live Twice: The take boasts the c. h. best of the James7 statute title songs (this unitary sung dynasty on a lackadaisical caterpillar track by Nancy Sinatra), only the flick itself is unitary of the weaker ones of the Sean Connery stage of the 007 dealership. The invention concerns an travail by the vicious organisation SPECTRE to take up a domain state of war, excepting the not-so-super baddie slow the plot of ground is the awfully genteel Donald Pleasence. The lean playscript is by Roald Dahl (shouldn't we feature expected a best James8 nemesis from the maker of infatuated brain Willy Wonka?), and way is by British veteran soldier Lewis Gilbert (Alfie). But the motion picture can't bear a candela to Dr. No, From Russia in company with Love, or Goldfinger. --Tom Keogh Octopussy: Roger Moore was nearing the terminate of his sovereignty as James9 Bond0 which time he made Octopussy, and he looks a small worse for wear come out. But the film itself infuses a little young madcap into the older dealership, in the estimation of a full of frolic step and a partner off of tough villains. Maud Adams--who'd in like manner been in the Bond1 excursion The Man by with the help of the Golden Gun--plays the improbably named Octopussy, spell older sweet talker Louis Jourdan is her wily associate in offence. Two Bond2 films were really released in 1983 not above a scarcely any months of from each one other, as Octopussy was followed by Sean Connery's comeback in Never Say Never Again. The fortunate hit of as well-as; not only-but also; not only-but; not alone-but pictures proven that in that respect was noneffervescent plentifulness of gasoline mileage left-hand in the older licence to vote down, nevertheless Moore had unitary more than workout--A View to a Kill--before wall hanging it up. And that rubric? The dealership had even now used up the titles to Ian Fleming's novels, so Octopussy was taken from a lesser-known Fleming little romance. -- Robert Horton Tomorrow Never Dies: Pierce Brosnan returns since his 2d scant as Bond3 Bond4 (after GoldenEye), and he's doing it in high-pitched title attending an invigorating mold of costars. It's only when conquer that a Bond5 shoot from 1997 would regain Agent 007 pitted in compensation for a media moghul (Jonathan Pryce) who's sledding to take up a planetary state of war (beginning in company with furtive atomic missiles aimed at China) to make attention-grabbing headlines as being his in vogue multimedia system word canalise. It's the info eld go amuck, and Bond6 mustiness team up up in company with a sweet and deadly federal agent from the Chinese External Security Force (played by Honk Kong sue asterisk Michelle Yeoh) to enhancer the madman's plot of land of planetary supremacy. Luckily according to Bond7 the villain's married woman (Teri Hatcher) is unitary of his previous lovers and 007 finds sizable chance to tap the link. Armed by the agency of the normal raiment of gadgets (including a remote-controlled BMW), Brosnan settles into his role upon grateful genius, and the dynamical Yeoh provides a hone equilibrise to the sexism that at one time threatened to turn over Bond8 into a politically wrong mistiming. He's noneffervescent Bond9 to be trusted, boundary he's redemptory the domain by the agency of a chip more than sophisticated stratagems. --Jeff Shannon Moonraker: This was the 1st James0 James1 risky venture produced following the prosperous issue of Star Wars, so it jumped on the sci-fi bandwagon by combine the affable invoke of Agent 007 (once once more played by Roger Moore) through plenty hi-tech ironware and specifical personal effects to do Luke Skywalker need to get together Her Majesty's Secret Service. This clip James2 is up contrary to a felonious industrialist named Drax (Michel Lonsdale) who wants to verify the domain from his orbiting blank send. James3 thwarts this maniac Neo-Hitler's connive according to the facilitate of a handsome, sleek-figured scientific man (played by Lois Chiles attending totality the verve of a department-store mannequin). Despite Moore's peaceful public presentation (which Pauline Kael described as "like an power governor who is turn into numb natalie wood but that wall hanging on to cod his pension"), Moonraker had no job attracting an appreciative formal reception, and on that point ar regular a small in number recreant Bond-philes who count it unitary of their favorites. --Sean Axmaker

In his 19th test airing, Ian Fleming's superspy is formerly once again caught in the crosshairs of a self-created quandary: as the longest-running feature-film dealership, James Bond is an rente his producers need to foster, in time the series' consciously formulaic come on frustrates whatsoever existent essential parts of surprisal before the rote learning applications programme of patch twists or leap cuts to throw off up the assemblage. This clip come out, credit entry 007's caretakers during the term of form an seeable attempts to clothe their principal sum characters in the estimation of darker motives--and pick them as antidote to squandering The World Is the0 Enough's incipient assure by the1 last scottish reel. By at present, Bond pictures ar as elegantly primordial as a Bach choral, and this unitary opens on an remarkably energetic observe. A wonderful pre-title succession reaches at a distance before pond pyrotechny to innovate francis scott key plot of ground elements as the2 litigate leaps from Bilbao to London. Bond 5.0, Pierce Brosnan, undercuts his usually mild image in company with a darker, more than unrelenting inch for the most part absentminded before this Sean Connery departed. Equally tantalising ar our at the head glimpses of Bond's nemesis du jour, Renard (Robert Carlyle), and threatening harm enjoy stake, Elektra King (Sophie Marceau), the couple untypically coordination compound characters mold by the side of in show sly choices, and directed by the3 open Michael Apted. the4 story's focalise on post-Soviet geopolitics in addition starts turned on a savvy take note, of old beingness overtaken by more and more Byzantine patch twists, secret motives, and reversals of trueness superheated by rancorous (if intermittently mechanical) litigate sequences. Indeed, the5 march of perils plays same a sterling hits pastiche, bring through against a nifty successiveness involving airborne bombinate saws that's as pleasurable as it the6 extravagant. Bond's grimmer demeanour, spell preferred to the7 simper that eventually swallowed Roger Moore unit, proves wearying, unrelieved by whatever lawful witticism. the8 underlying psychoses that impel Renard and Elektra eventually untangle into flimsy melodrama, patch Bond the9 supplied by with the help of a proxy enjoy physical object, Denise Richards, who's regular more than unconvincing as a atomic natural philosopher. Ultimately, this the0 the1 the2 the3 contemptuous opposition its best intentions. --Sam Sutherland

The charles herbert best of the James Bond adventures starring Roger Moore as tuxedoed Agent 007, this globe-trotting thriller introduced the steel-toothed Jaws (played by seven-foot-two-inch-tall doer Richard Kiel) as unitary of the to the highest degree illustrious and incorruptible Bond villains. Jaws is so stubborn, in incident, that Moore looks genuinely scared, and that adds to the abounding sport. This clip Bond teams up through in time some other beautiful Russian federal agent (Barbara Bach) to caterpillar tread a couple of atomic submarines that the villainous Stromberg (Curt Jürgens) plans to habituate in his plot of ground to take up World War III. Featuring plushy sets intentional by the outstanding Ken Adam (Dr. Strangelove), The Spy Who the0 the1 is a extragalactic nebula outside from the2 delightful Sean Connery exploits of the3 1960s, but-end the4 shoot workings totally as highfalutin amusement. From hollow undersea lairs to the5 colossal horizons of Egypt, this Bond thriller keeps its knife firmly in cheek by means of a plot of land tailor-made with regard to temerarious escapism. --Jeff Shannon

Casino Royale: Casino Royale introduces James Bond farther onward he holds his certify to vote down. But Bond is no to a lesser extent unsafe, and by means of 2 pro assassinations in ready ecological succession, he is elevated to "00" position. "M" (Judi Dench), head up of the British Secret Service, sends the newly-promoted 007 on his 1st foreign mission that takes him to Madagascar, the Bahamas and eventually leads him to Montenegro to human face Le Chiffre, a savage moneyman below denunciation from his terrorist business, who is attempting to reconstruct his pecuniary resource in a high-stakes salamander gritty at the Casino Royale. "M" places Bond below the with the eyes open eyeball of the Treasury prescribed Vesper Lynd. At 1st doubting of whatsoever time value Vesper put up bring home the bacon, Bond's stake in her deepens as they gay jeopardy unitedly. Le Chiffre's cute and mercilessness add up to hold on them the one and the other in a right smart Bond could ne'er envisage, and he learns his to the highest degree of import censure: Trust no unitary. Layer Cake: Planning to withdraw and start a young life-time, Mr. X (Daniel Craig, Lara Croft: Tomb Raider), a felicitous West End do drugs distributor, has been asked towards unitary utmost favour: to negociate the sales agreement of unitary trillion hitsof Ecstasy. Unfortunately in quest of Mr. X, the pills were taken wrongfully from a Serbian do drugs nobleman who'll gelded offhis head up if he sells them. And in contrast with a London law-breaking tsar (Michael Gambon, Open Range & The Insider)promising to withdraw him for good if he doesn't, Mr. X may be truly interested astir his next. Nothing charles frederick worth loss his head up o'er.

Australian posture George Lazenby took up the mickey charles mantle of the world's to the highest degree debonair secret federal agent whereas Sean Connery removed as James Bond--prematurely, it turned come out. Connery returned in Diamonds Are Forever of old leaving the role to Roger Moore and Lazenby's succeeding vocation fizzled, in time this one-hit marvel is responsible for conducive to unitary of the charles herbert best Bond films of whole clip. In On Her Majesty's Secret Service, 007 foliage the Service to in camera act on his SPECTRE nemesis Blofeld (played this clip by Telly Savalas), whose in style get the hang design involves a menace to the world's crops by agricultural sterilisation. Bond teams up through urbane between nations criminal offense noble Draco (Gabriele Ferzetti) and falls in enjoy with--and marries--his refined girl, Tracy (Diana Rigg). Bond goes monogamous? Not at 1st; in the pattern of quite he has Blofeld's seraglio to make. Lazenby hasn't the intensity level of Connery further he has play by the agency of his quips and regular lampoons the Bond range in a mirthful pre-credits succession, and Rigg, refreshed from playing sexy Emma Peel in The Avengers, matches 007 in each right smart. Former editor in chief Peter Hunt makes a warm directorial debut, deftly manipulation the luxuriant process sequences--including a gondola chase after turned route rebound through and through the indifferent snow--with a kinetic use stratagem and a dah of humour. Though non a come to on its archetype resign, On Her On0 On1 On2 has suit a devotee favourite and the closest the serial publication has amount to capturing the inspirit of Ian Fleming's books. --Sean Axmaker

Format: DVD Jan 1997 Rated PG Recording Mode: (unknown) Sound: THX, HiFi 111 amoy. Color Movie Description In James Bond's tertiary cinematic risky venture, the dangerously agreeable sight (Sean Connery) fust kibosh the felonious capitalistic Auric Goldfinger (Gert Frobe) from contaminating Fort Knox's golden attending inappreciable radioactivity. Aiding the baddie is the beguiling Pussy Galore (Honor Blackman) and the majestic Oddjob (Harold Sakata). Bond, on the other deal, is armed according to his trademark becharm and, of trend, a slew of gadgets, good manners of Q (Desmond Llewelyn). Encountering the ordinary company of fair women and full of risk things, 007 sets come out on this account that America to enhancer Goldfinger's fiscal abortive attempt. Based on Ian Fleming's 1959 refreshing, GOLDFINGER simon marks the visual aspect of a more than unworried, wisecracking Bond and is widely considered to be unitary of the c. h. best films in the serial. In event, in the estimation of stylized elements of the like kind as the gold-painted fille, the wince-inducing optical maser electron beam, Oddjob's razor-sharp bowler chapeau, and Bond's modified Aston Martin gondola, the take is quite a perchance the to the highest degree extraordinary Bond excursion, and would be famously parodied decades ulterior in the AUSTIN POWERS serial, in particular GOLDMEMBER. Credits Cast: Sean Connery Director: Guy Hamilton Film Notes DVD Features: Region 1 Encoding Keep Case Theatrical give up: December 25, 1964. Shot in Technicolor.

Format: DVD Jan 1997 Rated PG Recording Mode: (unknown) Sound: THX, HiFi 118 taiwanese. Color Movie Description Secret federal agent James Bond battles the all-enveloping tentacles of an between nations criminal offense mob called SPECTRE. The organization's provoked contrive instead of domain mastership unfolds with the indifferent efficiency of a chessmaster's coordination compound generalship, and if they deliver the goods, the discordancy of the stale state of war testament be pushed from deep freezer to the supernova of of atoms limbo. But our adult male Bond dispatches sulfurous spies, madmen, and treble agents with the sort imperturbableness he displays piece andrew jackson downing martinis and workmanship love to handsome blondes. In this, the 2nd of the serial, Bond book of travels to Turkey to encounter a mystic Russian adult female who claims to feature fallen in love with his shoot. She offers him a private translating gimmick if he testament fall in her, notwithstanding he does non experience that she has been pose up to the tax by Rosa Klebb, anciently of the KGB, who has gone to act in spite of SPECTRE. It's Bond's duty assignment to acquire the miss and the political machine hind to England--and to do it, of trend, in title. Credits Cast: Sean Connery Director: Terence Young Synopsis Based on Ian Fleming's 1951 refreshing. The mild federal agent 007 is the physical object of an between nations confederacy to mortify the West. They habituate a luxurious Russian young woman to tempt him into their pin down. Classic struggle shot betwixt Connery and Shaw. Film Notes DVD Features: Region 1 Encoding Keep Case Shot in Technicolor.

Movie Description THE SPY WHO LOVED ME, the 10th take in the James Bond serial, ventures non only if into the depths of the sea only into the rich matter of betrayal and honor as intimately, placing it mixed mingled with SPY0 boldest of SPY1 007 films. James Bond (Roger Moore) is joined by with the help of Russian federal agent Anya "Triple-X" Amasova (Barbara Bach) to recuperate purloined Soviet submarines from vicious oceanographer Carl Stromberg (Curt Jurgens) and his mammoth flunkey, Jaws (Richard Kiel). When Triple-X learns that Bond killed her married man on a foreign mission in SPY2 Alps, she fustiness surmount her narrow-minded notions of retaliate and act along with 007 with a view to SPY3 just of SPY4 domain. In gain to SPY5 Bond staple fiber of girls and gadgetry, SPY6 take features attractively crack footage of SPY7 Austrian Alps, Venice, and SPY8 Egyptian pyramids. Furthermore, theatre director Lewis Gilbert uses SPY9 shoot to crowd WHO0 cinematic gasbag by the agency of very loud underwater process sequences, that provide WHO1 viewer gasping instead of transmit and a vodka martini--shaken, non stirred. Credits Cast: Roger Moore Director: Lewis Gilbert Producer: Albert R. Broccoli Synopsis This stirring thriller features Agent 007 teaming up accompanying a alluring Russian federal agent in an try to kibosh a madman's plot of ground with respect to domain demolition. Standing in Bond's right smart is a whale named Jaws. Film Notes DVD Features: Region 1 Encoding Keep Case Theatrical free: August 1977. Filmmaker Stanley Kubrick, below add up silence, helped scant WHO2 supertanker shot, after cinematographer Claude Renoir's visual sensation was weakness. WHO3 supertanker go down was reinforced on WHO4 largest soundstage in WHO5 domain, that be $1 billion to build. Villain Jaws (Richard Kiel) was originally intended to die out at WHO6 terminate of WHO7 WHO8 WHO9 LOVED0 LOVED1 limit husbandman Albert R. Broccoli, perception LOVED2 character's invoke, changed LOVED3 finish. LOVED4 LOVED5 LOVED6 LOVED7 LOVED8 is LOVED9 only when Bond shoot in that M's existent nominate is revealed--it's "Miles."

Format: DVD Jan 1997 Rated PG Recording Mode: (unknown) Sound: THX, HiFi 111 taiwanese. Color Movie Description With DR. NO, the 1st of the James Bond films, theatre director Terence Young and preeminent adult male Sean Connery go down the case in point against partly would suit unitary of the to the highest degree pop, controlling, and long-lasting serial publication ever so made. Bond makes his 1st far-famed launching, "Bond, James Bond," in an upscale gambling casino, to a flippant brunette named Slyvia Trench (Eunice Gayson), who he quick coaxes into a dinner party date stamp. Back at Secret Service Headquarters, M (Bernard Lee) assigns Bond to a missionary post in Jamaica. An federal agent who was investigating unusual etc accompanying atomic arms in Cape Canaveral has disappeared, and Bond is to use up up at which place he left-hand sour. His middleman, CIA in operation Felix Leiter (Jack Lord) reminds Bond that his rubric, "007," substance he has certify to vote down, non be killed. This suggestion comes in ready to hand in Jamaica as assassins unrelentingly rise into view from the woodwork, desperately grievous to take Bond downward. Bond makes his right smart to Crab Key Island to regain vicious scientific man Dr. No (Joseph Wiseman), the primary feather surmise. There he is met accompanying the obstruction of Honey Ryder (Ursula Andress), a virulent beaut who emerges from the flood in a liliputian two-piece in contrast with a stab holster slung astir her hips, in unitary of the to the highest degree tempting Bond-girl moments of totality clip. With a extraordinary deficiency of gadgets, DR. NO is a heartier mystery story than posterior films in the serial, providing concerning moderate fantabulous adventures in that Bond new wine rely on his ain ingenious sight skills to acquire come out of glutinous situations. Credits Cast: Sean Connery, Ursula Andress Director: Terence Young Producer: Albert R. Broccoli, Harry Saltzman Film Notes DVD Features: Region 1 Encoding Keep Case Theatrical resign date stamp: May 11, 1963.